The hype surrounding the sumptuous & the epic saga Baahubali, earth shattering box office records and most of my cinephile friends going gaga over it, really made me curious to watch Baahubali. S. S. Rajamouli who ascended to fame with his two epic fantasy films; Magadheera and Eega, is back with two-parts fantasy film Baahubali. Baahubali is definitely an ambitious work of art [written by Vijayendra Prasad, who also wrote Bajrangi Bhaijaan] that deals with age long rivalry between cousins of a royal family of Mahishmati and related politics spanning over generations.
The principal character, Baahubali is raised by villagers as Shivudu when they find him floating in the river, at the foot of the gigantic and visually spellbinding waterfall that can put Niagara Falls to shame. First half is invested in showing prowess of demi-God Baahubali who seems to believe that there exists nothing like impossible. Be it deracinating Shiva lingam and carrying it under the waterfall followed by breaking into a dance, or falling many times while mounting the waterfall and still be alive without a scratch, or gliding through the forest like Mowgli while saving his arse or gently providing Tammana’s character Avanthika a makeover that eventually makes her fall for his innocent charm. He can do anything. Sooner he learns about his true identity and estranged blood mother after his arrival in the kingdom of Mahishmati and tries to rescue his mother from the ruler-cum-cousin, the savvy Palvaalthevan (Rana Daggubati) reigning over the kingdom of Mahishmati. Funny thing is that his captured mother (Anushka Shetty), who herself looks in her 30’s having perfectly chiseled nails, waits for 25 years for his rumored dead son (Baahubali) to free her. It shouldn’t be too hard to guess what happens next.
The kingdom of Mahishmati does look spectacularly amazeballs & the perfectly built huge sets does make an impression. The chase scene on snow covered mountains is breathtaking and the almost 30-minute long war scene was choreographed magnificently which does provide an edge of the seat thrill. It’s evident that Baahubali has already set a benchmark for jaw dropping visuals and stunning graphics in Indian cinema. But while the makers of Baahubali were busy in paying close heed to modern technicalities for its superior quality of VFX , they seem to have ignored the technicality in its writing and snubbed the human drama necessary to root for the characters in the film.
It’s understandable that such a big budget film needs to have commercial elements for mass appealing, but it should be done smartly so it doesn’t hamper the flow of the film. That requires smart writing . The writing could never scale to good heights to drive such a multi-character ambitious film, the screenplay goes for the toss at many places. Initially, I really liked the character of Tamanna as the strong, bold, independent and rebellious warrior until she is objectified and her character falls in love within no time and starts singing and dancing. The story is weak, the narration is tattered and the performances below par except for Ramya Krishnan. I was so exhausted by the end that even the epic war scene couldn’t hold much of my interest. Hate to say this but this film didn’t work for me, I was embarrassed at many places and cheesed off.
PS : I went with unbiased and neutral mind.
PPS : I do appreciate good Indian cinema but I can’t appreciate a film just because something (read visuals which I liked) is done first time in India.