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Terrence Malick broke into the scene way back in 1973 with the bright, colorful and vibrant debut “Badlands” which later achieved a cult status. He followed it with the intense, breathtakingly beautiful “Days of Heaven”, which came five years after Badlands. Malick took twenty years to make his next, ” The Thin Red Line ” which is hailed as one of the greatest ever war movies and cemented Malick’s place in the bracket of the most influential filmmakers of all time.




Malick has been making movies on fairly regular basis since then and over the past two decades he has been established himself as this visionary weaving magic on the 70mm. His movies have always been different and unlike anything else in terms of style, storytelling, and their overall nature. Malick has received both critical acclaim and flakes for his distinctive movie-making style. While some hail him as an auteur, some call him a fraud in the disguise of a movie director.

I personally have been a fan of this man and on his 73rd birthday, I thought it would be nice to do a ranking of his works (from the least favorite to most), as a sort of tribute.

 

7. To The Wonder (2012)
Cast: Ben Affleck, Rachel McAdams, Olga Kurylenko and Javier Bardem.

to the wonder

“There is love that is like a stream that can go dry when rain no longer feeds it. But there is a love that is like a spring coming up from the earth. The first is human love, the second is divine love and has its source above.”

Arguably Malick’s weakest work in his long illustrious career, ‘To The Wonder‘ tells the story of a European woman and American man falling in love with the cloudy, sea-side French coast and trying to work on their relationship in the warm and sunny fields of Oklahoma.

While the idea sounds fairly simple, Malick tried to give it an other-worldly spin by infusing philosophical elements like soul searching, seeking the meaning of love, trying to get a grip at how God or the power we answer to works on us; and he succeeds in doing that, although not as much as his other movies. What makes it an absolutely stunning visual experience is Emanuel Lubezki’s (also sharing his birthday with Mallick) cinematography. From the grim, gloomy, gray and blue tinted coast of Normandy to the sun-kissed shiny golden paddy fields of Oklahoma; Chivo’s lenses create sheer magic, thus compliments Mallick’s vision for the movie.

To the Wonder, although not as influential or effective as other Malick movies, but still stands as a deeply moving, extremely personal tale of modern day love, faith, sadness and what stands in between.

6. Days of Heaven (1978)
Cast: Richard Gere, Brooke Adams, Sam Shepard and Linda Manz

daysofheaven2

“Nobody’s perfect. There was never a perfect person around. You just have half-angel and half-devil in you.”

Malik’s second directional feature, Days of Heaven released back in 1978 is one of the most gorgeous looking movies ever made in the history of cinema. Cinematographer Néstor Almendros shot this mostly using natural light and rightfully won an Academy award for his marvelous work. With the help of Almendros’s hauntingly beautiful imageries, Malick told an intense story of love, struggle, greed and betrayal featuring four characters, all seeking the help for a better life.

Set in 1916, Days of Heaven was an important and praiseworthy follow-up to Malick’s debut (featuring in this list later), which wasn’t received warmly during its release but went on to become quite a cult classic later on.

5. Knight of Cups (2016)
Cast: Christian Bale, Natalie Portman and Kate Blanchett

knight_of_cups_up

“You think when you reach a certain age things will start making sense, and you find out that you are just as lost as you were before. I suppose that’s what damnation is. The pieces of your life never to come together, just splashed out there.”

Malick’s most recent offering, Knight of Cups is a movie right on his “The Tree of Life” (which comes later in this list, of course) territory where A man (played by Bale) tries to discover true love and seeks for fulfillment trapped in the familiar urban concrete maze of life.

He is constantly roaming in quest of finding solitude in parties full of people, love in the emptiness of people, the meaning of life and its redemption in the wilderness of the world. He is looking for it in the sky, the oceans, and the Rock Mountains. Knight of Cups is continuously moving and searching, but it isn’t reaching anywhere and the quest goes on.




The movie is shot beautifully by Emmanuel Lubezki (collaborating for the fourth time with Malick) in a way that you are supposed to see the natural right through the unnatural. Malick wants you to see the blue sky and not the tall buildings which block its view. He wants you to see the water when the camera goes inside the pool and not the crowd visible in the background, but will you do that, are you ready to not care about the meaningless materials deliberately put in front of you. It’s a film with such powerful imagery, that even if there were no dialogues at all, the impact would have been same.

Click here to read the complete review. 

4.The Thin Red Line (1998)
Cast: Jim Caviezel, Sean Penn, Adrien Brody, Ben Chaplin, George Clooney, John Cusack, Woody Harrelson, Elias Koteas, Nick Nolte, John C. Reilly and John Travolta

thin-red-4

“This great evil. Where does it come from? How’d it steal into the world? What seed, what root did it grow from? Who’s doin’ this? Who’s killin’ us? Robbing us of life and light. Mockin’ us with the sight of what we might’ve known. Does our ruin benefit the earth? Does it help the grass to grow, the sun to shine? Is this darkness in you, too? Have you passed to this night?”

Twenty years after “Days of Heaven”, Malick returned to tell the story (a semi-fictional version of the actual one) of the Battle of Mount Austen, which was part of the Guadalcanal Campaign in the Pacific Theater of World War II and gave us a war film film which transcended the barrier of the war genre and went into a whole different philosophical level, and eventually became one of the most influential movies ever made.

Unlike focusing on the main war story of who defeated who, The Thin Red Line made an attempt to look at the effects of war on both humankind and mother nature. The importance of human life and the meaning of death took the center stage here and asked the viewers to look at certain things rather differently.

The Thin Red Line is Malick’s most well-constructed movie ever, and his most popular work as well. Released around the same time of another memorable war film (Steven Spielberg’s fantastic Saving Private Ryan), it managed to stand on its own by giving the war genre a whole new spin.

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  • David Morgan-Brown

    I loved To the Wonder and even though I prefer the Birth of the Universe sequence in Tree of Life to any moment from TTW, I still prefer it. It’s probably my second fave Malick film, behind Badlands, but I ought to rewatch it again