Romanian auteur Cristian Mungiu has won the Palme d’Or for the second time, taking Cannes’ top prize with the courtroom drama Fjord as the 79th edition of the festival drew to a close on Saturday night. The jury, headed by Korean director Park Chan-wook, handed Mungiu the award during a ceremony at the Palais des Festivals that also saw a rare tie in the directing category, four performers sharing the acting prizes, and an impassioned political plea from the winner of the Grand Prix.
Mungiu, who first won the Palme in 2007 for 4 Months, 3 Weeks and 2 Days, becomes only the tenth filmmaker in history to claim the award twice. Accepting the prize from presenter Tilda Swinton alongside Fjord stars Sebastian Stan and Renate Reinsve, the director cemented a moment of festival history. The victory also extends the extraordinary run of U.S. distributor Neon, which has now been behind seven consecutive Palme d’Or winners, a streak that began with Parasite in 2019 and continued through Titane, Triangle of Sadness, Anatomy of a Fall, Anora, It Was Just an Accident and now Fjord.

The Grand Prix, awarded to the runner-up, went to Andrey Zvyagintsev for Minotaur. The Russian director, who now resides in France, used his acceptance speech to issue a direct challenge to Vladimir Putin. “Mr. President of the Russian Federation, please put an end to this bloodshed. The whole world is waiting for you to do so,” Zvyagintsev said from the stage, receiving the prize from Zoe Saldaña. The moment drew one of the night’s longest ovations.

The Jury Prize, widely seen as the festival’s third-place honor, was presented to German filmmaker Valeska Grisebach for The Dreamed Adventure (Das geträumte Abenteuer). Grisebach took the stage with actress Yana Radeva.
In a highly unusual move, both acting categories were split between two performers from two different films. The Best Actor prize was shared by Emmanuel Macchia and Valentin Campagne for their performances in Lukas Dhont’s Coward, a Belgian drama in which they play World War I soldiers who fall in love. The Best Actress award went to Virginie Efira and Tao Okamoto, who spend much of Ryusuke Hamaguchi’s All of a Sudden (Soudain) locked in lengthy, riveting conversation.
The directing award ended in a tie between two Spanish filmmakers and a celebrated Polish auteur. Javier Calvo and Javier Ambrossi won for The Black Ball, while Paweł Pawlikowski was honored for Fatherland. The screenplay prize went to Emmanuel Marre for A Man of His Time (Notre Salut). Marre surprised the audience by revealing he had thrown out his written script and made the entire film through controlled improvisation.
Rwandan filmmaker Marie-Clementine Dusabejambo took the Camera d’Or for the best first film across all sections of the festival with Ben’Imana. The short film Palme d’Or was awarded to Argentine director Federico Luis for For the Opponents (Para los contrincantes).
This year’s main competition jury, led by Park Chan-wook, also included filmmakers Diego Cespedes, Paul Laverty, Laura Wandel and Chloe Zhao, as well as actors Isaach de Bankole, Demi Moore, Ruth Negga and Stellan Skarsgård. Their choices left several high-profile entries empty-handed, including Pedro Almodóvar’s Bitter Christmas, James Gray’s Paper Tiger, Laszlo Nemes’ Moulin, Asghar Farhadi’s Parallel Tales, Ira Sachs’ The Man I Love, and Arthur Harari’s The Unknown. For Gray, it marked the fifth time a film of his had screened in competition at Cannes without winning an award.
The closing ceremony also featured the presentation of an Honorary Palme d’Or to Barbra Streisand. The actress and director, originally expected to attend in person, canceled her trip on doctors’ advice while recovering from a knee injury. Isabelle Huppert delivered a tribute before Streisand gave her acceptance speech via video.
Full list of winners at the 79th Cannes Film Festival:
Palme d’or
FJORD
directed by Cristian MUNGIU
Grand Prix
MINOTAURE
directed by Andreï ZVIAGUINTSEV
Best Director Prize (ex-æquo)
Javier CALVO & Javier AMBROSSI for LA BOLA NEGRA
Pawel PAWLIKOWSKI for FATHERLAND
Best Screenplay
Emmanuel MARRE for NOTRE SALUT
Jury Prize
DAS GETRÄUMTE ABENTEUER
directed by Valeska GRISEBACH
Best Performance for an Actress
Virginie EFIRA and Tao OKAMOTO in SOUDAIN
directed by HAMAGUCHI Ryusuke
Best Performance for an Actor
Emmanuel MACCHIA and Valentin CAMPAGNE in COWARD
directed by Lukas DHONT
Un Certain Regard
Un Certain Regard Prize
EVERYTIME
directed by Sandra WOLLNER
Jury Prize
ELEPHANTS IN THE FOG
directed by Abinash BIKRAM SHAH
(1st film)
Special Jury Prize
IRON BOY
directed by Louis CLICHY
Best Actor
Bradley FIOMONA DEMBEASSET
in CONGO BOY directed by Rafiki FARIALA
Best Actresses
Marina DE TAVIRA, Daniela MARÍN NAVARRO, Mariangel VILLEGAS
in SIEMPRE SOY TU ANIMAL MATERNO directed by Valentina MAUREL
La Cinef
First Prize
LASER-GATO (Laser-Cat)
directed by Lucas ACHER
NYU, USA
Second Prize
SILENT VOICES
directed by Nadine MISONG JIN
Columbia University, USA
Joint Third Prize
ALDRIG NOK (Never Enough)
directed by Julius LAGOUTTE LARSEN
La Fémis, France
GROWING STONES, FLYING PAPERS
directed by Roozbeh GEZERSEH & Soraya SHAMSI
Filmuniversität Babelsberg Konrad Wolf, Germany
Superior Technical Commission
THE CST AWARD FOR BEST ARTIST-TECHNICIAN is presented to Nicolas Rumpl, Head Film Editor of Notre Salut directed by Emmanuel Marre.
« The subtle editorial choices reveal the visual aesthetic, the directorial ambition and the performances of the actors in Emmanuel Marre’s film “Notre Salut”. »
THE CST AWARD FOR BEST YOUNG FEMALE FILM TECHNICIAN is presented to Esther Mysius, Production designer of The Birthday Party directed by Léa Mysius.
« Her meticulous attention to detail allows the sets to Become an integral part of the narrative. »
Palme d’Or (In Competition)
This is the main slate of 21 feature films that competed for the festival’s top prize.
| Film Title | Director | Production Country(s) |
|---|---|---|
| All of a Sudden (Soudain) | Ryusuke Hamaguchi | Japan |
| Another Day | Jeanne Herry | France |
| Bitter Christmas (Amarga Navidad) | Pedro Almodóvar | Spain |
| Coward | Lukas Dhont | Belgium |
| Fatherland | Paweł Pawlikowski | Poland |
| Fjord | Cristian Mungiu | Romania |
| Gentle Monster | Marie Kreutzer | Austria |
| Hope | NA Hong-jin | South Korea |
| Minotaur | Andrey Zvyagintsev | Russia |
| Moulin | László Nemes | Hungary |
| Nagi Notes | Fukada Koji | Japan |
| Paper Tiger | James Gray | United States |
| Parallel Tales | Asghar Farhadi | Iran |
| Sheep in the Box | Hirokazu Kore-eda | Japan |
| The Beloved (El Ser Querido) | Rodrigo Sorogoyen | Spain |
| The Birthday Party | Léa Mysius | France |
| The Black Ball (La Bola Negra) | Javier Calvo & Javier Ambrossi | Spain |
| The Dreamed Adventure (Das geträumte Abenteuer) | Valeska Grisebach | Germany |
| The Man I Love | Ira Sachs | United States |
| The Unknown | Arthur Harari | France |
| A Woman’s Life | Charline Bourgeois-Tacquet | France |
Un Certain Regard
This sidebar section spotlights emerging filmmakers and includes 18 feature films.
| Film Title | Director | Production Country(s) |
|---|---|---|
| A Girl’s Story | Judith Godrèche | France |
| All the Lovers in the Night | Sode Yukiko | Japan |
| Ben’Imana | Marie-Clémentine Dusabejambo | Rwanda |
| Club Kid | Jordan Firstman | United States |
| Congo Boy | Rafiki Fariala | Central African Republic |
| Elephants in the Fog | Abinash Bikram Shah | Nepal |
| Everytime | Sandra Wollner | Austria |
| Forever Your Maternal Animal (Siempre Soy Tu Animal Materno) | Valentina Maurel | Costa Rica |
| I’ll Be Gone in June | Katharina Rivilis | Estonia |
| Iron Boy | Louis Clichy | France |
| La Más Dulce (Strawberries) | Laïla Marrakchi | Morocco |
| Teenage Sex and Death at Camp Miasma | Jane Schoenbrun | United States |
| The Meltdown (El Deshielo) | Manuela Martelli | Chile |
| Titanic Ocean | Konstantina Kotzamani | Greece |
| Ulysse | Laetitia Masson | France |
| Victorian Psycho | Zachary Wigon | United States |
| Words of Love | Rudi Rosenberg | France |
| Yesterday the Eye Didn’t Sleep | Rakan Mayasi | Palestine |
Short Film Palme d’Or (In Competition)
Ten short films from 136 countries were selected to compete for the Short Film Palme d’Or.
| Film Title | Director | Production Country(s) |
|---|---|---|
| A Few Things Happening by a River | Daniel Soares | Portugal |
| Fresh Cut | Hadrien Bels | France |
| For the Opponents (Para los contrincantes) | Federico Luis | Argentina / Chile / Mexico / France |
| Nobody Said Anything | Tamara Todorović | Serbia |
| Sisters’ Swim | Lola Degove | France |
| Spiritus Sanctus | Michal Toczek | Poland |
| The Dream Is a Snail | Thien An Nguye | Vietnam |
| The End | Niki Lindroth von Bahr | Sweden |
| The Last Spring | Mathilde Bédouet | France |
| Thunder Platoon | Theo Montoya | Colombia |
Camera d’Or (Best First Feature)
This award is for the best debut feature film across all festival sections. This year, 29 films were eligible.
| Film Title | Director | Production Country(s) | Festival Section |
|---|---|---|---|
| Ben’Imana | Marie-Clémentine Dusabejambo | Rwanda / Gabon / France / Norway / Côte d’Ivoire | Un Certain Regard |
| Club Kid | Jordan Firstman | United States | Un Certain Regard |
| Elephants in the Fog (Les Éléphants dans la brume) | Abinash Bikram Shah | Nepal | Un Certain Regard |
| I’ll Be Gone in June | Katharina Rivilis | Estonia | Un Certain Regard |
| Titanic Ocean | Konstantina Kotzamani | Greece | Un Certain Regard |
| Yesterday the Eye Didn’t Sleep | Rakan Mayasi | Palestine | Un Certain Regard |
| Jim Queen | Marco Nguyen & Nicolas Athané | France | Midnight Screenings |
| Sanguine (Species) | Marion Le Corroller | France | Midnight Screenings |
| L’Âge d’Or (The Golden Age) | Bérenger Thouin | France | Special Screenings |
| Les Matins Merveilleux | Avril Besson | France | Special Screenings |
| Rare Soul For a Revolution | Pegah Ahangarani | Iran | Special Screenings |
| Les Survivants du Che | Christophe Dimitri Réveille | France | Special Screenings |
| Lucy Lost | Olivier Clert | France | Family Screening |
| Propeller One-Way Night Coach | John Travolta | United States | Cannes Première |
| The End of It | Maria Martinez Bayona | Spain / UK / Norway | Cannes Première |
| Vesna | Rostislav Kirpičenko | Lithuania | Special Screenings |
| Tangles | Leah Nelson | United States | Special Screenings |
| Le Triangle d’Or | Hélène Rosselet-Ruiz | France | Special Screenings |
| 9 Temples to Heaven | Sompot Chidgasornpongse | Thailand | Directors’ Fortnight |
| Atonement (L’apaisement) | Reed Van Dyk | United States | Directors’ Fortnight |
| L’Espèce Explosive (Too Many Beasts) | Sarah Arnold | France | Directors’ Fortnight |
| Low Expectations (Lave Forventninger) | Eivind Landsvik | Norway | Directors’ Fortnight |
| We Are Aliens | Kohei Kadowaki | Japan | Directors’ Fortnight |
| Adieu Monde Cruel (Goodbye Cruel World) | Félix de Givry | France | Critics’ Week |
| Du Fioul Dans Les Artères (Flesh and Fuel) | Pierre Le Gall | France | Critics’ Week |
| In Waves | Phuong Mai Nguyen | Vietnam | Critics’ Week |
| La Frappe (The Blow) | Julien Gaspar-Oliveri | France | Critics’ Week |
| La Gradiva | Marine Atlan | France | Critics’ Week |
| Six Months in a Pink and Blue Building | Bruno Santamaría Razo | Mexico | Critics’ Week |
| The Station (Al Mahattah) | Sara Ishaq | Yemen | Critics’ Week |
| Viva (Alive) | Aina Clotet | Spain | Critics’ Week |
| A Girl Unknown (Wu ming nü hai) | Zou Jing | China |
