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Everything Coming to Shudder in October 2022

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Everything Coming to Shudder in October 2022: Shudder is the leading streaming service for thrills and frights year-round. This Halloween season will feature the best line-up in its history. Shudder members will enjoy a new slate of weekly movie premieres, which includes the original series Queer for Fear, 101 Scariest Movie Moments of All Time, and the return of the Boulet Brothers in The Boulet Brothers’ Dragula: Titans, a Halloween special with Joe Bobb Briggs called Joe Bob’s Haunted Halloween Hangout, a new edition of Shudder’s fan favorite “The Ghoul Log,” a 24/7 streaming jack-o’-lantern, and much more.




Shudder in October 2022: NEW SHUDDER ORIGINAL SERIES & SPECIALS

Mad God Ghoul Log – Premieres Saturday, October 1

The “Ghoul Log” is Halloween’s answer to the Christmas Yule Log: a 24/7 streaming jack-o’-lantern providing the perfect ambiance for all your Halloween festivities. Fan favorites The Ghoul Log, Return of the Ghoul Log, and Night of the Ghoul Log are back, along with a special new edition inspired by Phil Tippett’s Mad God, hand-crafted by the team at Tippett Studios.

The 101 Scariest Horror Movie Moments of All Time – Premiered September 7 – New Episodes Wednesdays

Master filmmakers and genre experts celebrate and dissect the terrifying moments of the greatest horror films, exploring how these scenes were created and why they burned themselves into audiences’ brains worldwide.

Shudder in October 2022

Queer for Fear: The History of Queer Horror – Premiered Friday, September 30 – New Episodes Fridays

Queer for Fear is a four-part documentary series from executive producer Bryan Fuller (Hannibal) and Steak House (Launchpad) about the history of the LGBTQ+ community in the horror and thriller genres. From its literary origins with queer authors Mary Shelley, Bram Stoker, and Oscar Wilde to the pansy craze of the 1920s that influenced Universal Monsters and Hitchcock, through the “lavender scare” alien invasion films of the mid-20th century and the AIDS-obsessed bloodletting of 80s vampire films, Queer for Fear re-examines genre stories through a queer lens, seeing them not as violent, murderous narratives, but as tales of survival that resonate thematically with queer audiences everywhere.




Joe Bob’s Haunted Halloween Hangout – Premieres Friday, October 21

For his fourth Halloween special on Shudder, the World’s Foremost Drive-In Movie Critic leaves no plastic skull, fake spider, or foam tombstone behind in his mission to celebrate the Samhain season the RIGHT way for once! Leaving nothing to chance, Joe Bob and Darcy enlist the help of a special surprise guest.

The Boulet Brothers’ Dragula: Titans – Premieres Tuesday, October 25

Hosted and created by the Boulet Brothers, “The Boulet Brothers’ Dragula: Titans” is a ten-episode spin-off series starring some of the most famous drag icons from the show’s previous seasons competing in a grand championship of drag artistry and shocking physical challenges for one hundred-thousand-dollar grand prize, the headlining spot on the upcoming world tour and the first ever “Dragula Titans” crown and title. Guest Judges include Elvira, Harvey Guillen, Justin Simien, David Dastmalchian, Poppy, Alaska, Katya, Joe Bob Briggs, Bonnie Aarons, Barbara Crampton, and more to be announced later.




SHUDDER ORIGINAL & EXCLUSIVE FILMS

Deadstream – Premieres Thursday, October 6

A disgraced and demonetized Internet personality (Joseph Winter) tries to win back his fans by live streaming himself, spending a night alone in an abandoned haunted house. However, when he accidentally unleashes a vengeful spirit, his big comeback event becomes a real-time fight for his life (and social relevance) as he faces off with the demonic spirit of the house and her powerful following. Deadstream stars Joseph Winter, who wrote and directed the film with Vanessa Winter. (A Shudder Original)

Dark Glasses – Premieres Thursday, October 13

In Dark Glasses, an eclipse blackens the skies on a hot summer day in Rome – a harbinger of the darkness that will envelop Diana (Ilenia Pastorelli) when a serial killer chooses her as prey. Fleeing her predator, the young escort crashes her car and loses her sight. She emerges from the initial shock determined to fight for her life, but she is no longer alone. Defending her and acting as her eyes is a little boy, Chin (Andrea Zhang), who survived the car accident. But the killer won’t give up his victim. Who will be saved? The long-awaited return from Italian master of horror and acclaimed writer-director Dario Argento, the film stars Ilenia Pastorelli, Asia Argento, and Andrea Zhang. Beginning Friday, October 7, Dark Glasses will debut at the IFC Center in New York and the Laemmle Glendale in Los Angeles, ahead of the film’s streaming debut on Thursday, October 13. Additional theaters, to be announced later, will follow beginning Friday, October 14. (A Shudder Original)




She Will – Premieres Thursday, October 13

After a double mastectomy, Veronica Ghent (Alice Krige) goes to a healing retreat in rural Scotland with her young nurse Desi (Kota Eberhardt). She discovers that the process of such surgery opens questions about her very existence, leading her to start to question and confront past traumas. The two develop an unlikely bond as mysterious forces give Veronica the power to enact revenge within her dreams. Also starring Malcolm McDowell, Jonathan Aris, Rupert Everett, and Olwen Fouéré. Directed by Charlotte Colbert. (A Shudder Exclusive)

V/H/S/99 – Premieres Thursday, October 20 

V/H/S/99 marks the return of the acclaimed found footage anthology franchise and the sequel to Shudder’s most-watched premiere of 2021. A thirsty teenager’s home video leads to a series of horrifying revelations. Features five new stories from filmmakers Maggie Levin (Into The Dark: My Valentine), Johannes Roberts (47 Meters Down, Resident Evil: Welcome To Raccoon City), Flying Lotus (Kuso), Tyler MacIntyre (Tragedy Girls), and Joseph & Vanessa Winter (Deadstream), V/H/S/99 harkens back to the final punk rock analog days of VHS, while taking one giant leap forward into the hellish new millennium. (A Shudder Original)




Resurrection – Premieres Friday, October 28

Margaret’s life is in order. She is capable, disciplined, and successful. Everything is under control. That is, until David returns, carrying the horrors of Margaret’s past with him. Resurrection is directed by Andrew Semans and stars Rebecca Hall and Tim Roth. (A Shudder Exclusive)

“ALL HAIL ARGENTO” COLLECTION

To mark the Shudder premiere of Dark Glasses and Dario Argento’s long-awaited return to the director’s chair, we are proud to present an expanded collection of works from Italy’s master of horror. Opera and The Stendhal Syndrome premiere on October 10, joining titles already on Shudder, including Deep Red, Tenebrae, Inferno, Phenomena, Trauma, and The Cat o’ Nine Tales, along with the Argento-penned Demons and Demons 2.




Opera 

A stalker torments an opera star by forcing her to watch her friends being murdered in one of Giallo horror god Dario Argento’s most terrifying films. When young operetta Betty is thrust into a leading role in Verdi’s Macbeth, she’s unprepared for the carnage that’s going to be unleashed. Soon enough, she’s stalked by a black-gloved killer who loves tying Betty up and taping needles around her eyes so she – and by extension, us – are forced to watch the vicious slayings. The great Brian Eno and Goblin’s Claudio Simonetti composed the stellar score.

Shudder in October 2022

The Stendhal Syndrome – (Also part of Shudder’s House of Psychotic Women Collection)

A detective suffers strange hallucinations while hunting a serial killer in Dario Argento’s bone-chilling ’90s masterpiece. Anna (Asia Argento) is on the trail of a psycho when she experiences Stendhal syndrome. This condition causes people to become overwhelmed by works of art to the point of psychosis. But when the killer kidnaps and rapes her, it begins a process that threatens all who cross Anna’s path—using CGI to bring Anna’s artistic hallucinations to life, Argento crafts a brutal yet visually stunning thriller that stands on par with his classics.




HOUSE OF PSYCHOTIC WOMEN COLLECTION

Celebrating the 10th anniversary of Kier-La Janisse’s (director of Woodlands Dark & Days Bewitched: A History of Folk Horror) groundbreaking and influential dive into female neuroses onscreen and in horror, Shudder will collect films explored in both the original and expanded editions of House of Psychotic Women. New to Shudder beginning October 1 are I Like Bats, Footprints, Identikit, and The Rats are Coming! The Werewolves Are Here, The Stendhal Syndrome, May and Santa Sangre. These join current Shudder titles Alone with You, American Mary, Asylum, The Babadook, The Baby, Bleed with Me, Butcher Baker Nightmare Maker, Carnival of Souls, The Corruption of Chris Miller, Darling, Il Demonio, Dream No Evil, I Blame Society, Forbidden Photos of a Lady Above Suspicion, Knife of Ice, Knocking, The Midnight Swim, May, Ms. 45, Next of Kin, Orgasmo, Phenomena, Prevenge, and Resurrection.

May – October 1

Nobody knows what to make of May (Angela Bettis). Born with a lazy eye, for which she wore a patch while growing up, she became a loner oddball whose only friend was an ideally kept doll. She moves to L.A. and takes up with a filmmaker (Jeremy Sisto), but the relationship sours quickly — and dangerously. She then befriends an alluring lesbian colleague (Anna Faris), but that, along with every connection May attempts to make, turns deadly.




I Like Bats – October 4

Katarzyna Walter stars as a happily single vampire who works in her aunt’s curio shop when not feeding on various suitors and sleazebags. But when she falls for a handsome psychiatrist, she’ll discover that no affliction is more horrific than love. It combines splashes of absurdist black comedy with jolts of old-school gothic horror for a slyly contemporary take on the female bloodsucker mythos.

Footprints – October 4

In the most criminally underseen Giallo of the ’70s, Florinda Bolkan (A Lizard In A Woman’s Skin, Flavia The Heretic) stars as a freelance translator who wakes one morning missing all memory of her past three days. But will a trail of odd clues lead her to a place where perception and identity are never what they seem? Directed by Luigi Bazzoni (The Fifth Cord) with cinematography by three-time Oscar®-winner Vittorio Storaro (The Bird with The Crystal Plumage).




The Rats are Coming the Werewolves Are Here – October 4

The Mooney’s are a typical English family, except for one tiny detail. They’re all werewolves. One member of the family is of a mind to change their legacy, which stirs up the family drama of the worst kind. The second of gutter auteur Andy Milligan’s productions made in England, this werewolf family saga is filled with the bitter worldview and confrontational hysteria Milligan is known for.

Identikit – October 10

In what remains the most obscure, bizarre, and wildly misunderstood film of her entire career – and perhaps even ‘70s Italian cinema – Elizabeth Taylor stars as a disturbed woman who arrives in Rome to find a city fragmented by autocratic law, leftist violence, and her own increasingly unhinged mission to find the most dangerous liaison of all. Academy Award® nominee Ian Bannen (The Offence), Mona Washbourne (The Collector), and Andy Warhol co-star in this “unique, hallucinatory neo-noir” (Cult Film Freaks) – barely released in America as The Driver’s Seat – directed by Giuseppe Patroni Griffi (‘Tis Pity She’s A Whore), adapted from the unnerving novella by Muriel Spark (The Prime Of Miss Jean Brodie) and featuring cinematography by three-time Oscar® winner Vittorio Storaro (Apocalypse Now, The Last Emperor).




NEW ADDITIONS TO SHUDDER’S MOVIE LIBRARY

The Descent – October 01

One year after a tragic accident, six girlfriends meet in a remote part of the Appalachians for their annual caving trip. When a rock falls and blocks its route back to the surface, the group splinters and each one pushes on, praying for another exit. But there is something else lurking under the earth – a race of monstrous humanoid creatures that have adapted perfectly to life in the dark. As the friends realize they are now prey, they are forced to unleash their most primal instincts in an all-out war against an unspeakable horror. Neil Marshall’s relentless, claustrophobic creature feature proves one of the truly scary films of the 21st century and is rightly regarded as essential.

The Descent Part 2 – October 01

Distraught, confused, and half-wild with fear, Sarah Carter emerges alone from the Appalachian cave system where she encountered unspeakable terrors.




The Gate – October 01

When two boys accidentally dig up the gates of Hell and summon an army of tiny demons, they have to work fast to stop the demons from turning them into human sacrifices, or a big bad demon king will soon be slithering through the gate to take over the world. Starring a young Stephen Dorff (Blade)

The Collingswood Story – October 3

Young couple Rebecca and John attempt to keep their long-distance relationship alive via video chatting. However, chance encounters with an online psychic plunge their lives into a world of nightmarish supernatural phenomena.




Dark Night of the Scarecrow – October 3

When young Marylee Williams is found viciously mauled, all hell breaks loose in her small rural town. A gang of bigots pursues a suspect: her mentally challenged friend Bubba Ritter.

The Other Side of the Underneath – October 4

In 1972, screenwriter/feminist/radical theater icon Jane Arden adapted her own multimedia stage production “A New Communion for Freaks, Prophets and Witches” into a nightmarish exploration of reason, chaos, and her own battles with mental illness unlike anything audiences have seen before or since.

Dragula Season 1 – October 11

The Boulet Brothers host a competition of drag performers who don’t just push the envelope – they chew it up and spit it out. With themes like Zombie and challenges like being buried alive, this ain’t your momma’s drag competition. Joining seasons 2, 3, and 4 and ahead of the upcoming Titans spin-off exclusively on Shudder, revisit the first season of the Boulet Brothers’ beloved groundbreaking drag-horror competition.




Lux Aeterna – October 11

Béatrice Dalle and Charlotte Gainsbourg are on a film set telling stories about witches. Technical problems and psychotic outbreaks gradually plunge the shoot into chaos. Written and directed by Gaspar Noé.

Manhattan Baby – October 24

In Lucio Fulci’s chilling follow-up to The New York Ripper, an evil Egyptian entity possesses the young daughter of an archaeologist. When Susie returns home, she and her brother Tommy start behaving badly, and visitors to their room begin turning up dead. Can Susie’s parents stop the entity from destroying her? Or is it already too late? Borrowing elements from Rosemary’s Baby, The Exorcist, and Poltergeist, Fulci crafts a surprisingly gore-free ghost story that favors suspense over gruesome kills. The opening sequence ranks among the director’s best work.

Demonia – October 24

In what fans consider his last great film, Godfather of Gore Lucio Fulci returns to the startling imagery and bloody excesses of his ‘70s/‘80s classics for an unholy saga of demonic nuns and supernatural carnage: When a Canadian archeological team excavates the ruins of a medieval Sicilian monastery, they unleash the vengeance of a crucified coven of satanic sisters with full-on Fulci fury.




Aenigma – October 24

For his final horror hit of the ‘80s, writer/director Lucio Fulci combined elements of Carrie, Phenomena, and Suspiria with the grisly surrealism of his own past classics for one last shocker: When a bullied student at a New England girls’ school becomes comatose after a prank gone wrong, her tormenters will suffer graphic telepathic punishment that includes the infamous ‘death by snails’ scene.

Fulci for Fake – October 24

He was known as The Maestro of Splatter, but who was the real Lucio Fulci? Through never-before-seen home movies, rare behind-the-scenes footage from his classic films, audio confessions from Fulci himself, and revealing interviews, writer/director Simone Scafidi creates an unflinching portrait of one of the most visceral, controversial, and immortal horror filmmakers of all time.

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