Before discussing Joon-Ho Bong’s films it will be contextually more correct to discuss Modern South Korean cinema. The prominent figures would be Kim Ki-duk (Spring, Summer, Fall, Winter… and Spring), Lee Chang-dong (Oasis), Park Chan-Wook (Oldboy) and Bong Joon-Ho(Memories of Murder). The characteristic marking out the best of South Korean cinema is a certain kind of visceral naturalism along with a more widely spread attitude best described as, casually brutal. This brutality becomes more apparent when it is exhibited by a film