Malignant [2021] Review – James Wan’s love letter to the horror genre
Malignant Movie Review: Lately many feature films have tried to move away from the clichés of horror, affected by the…
Hereditary (2018) Explained: A 21st Century Horror-Realism
Hereditary (2018) Explained: A 21st Century Horror-Realism: Directorial debut of the celebrated Midsommar fame Ari Aster, Hereditary (2018) is a…
Gunpowder Milkshake [2021] Review – A colorful albeit forgettable blast of feminist entertainment
Female assassins are a thing now. Not sure if Lucy brought it into fashion, or was it the mainstream treatment…
Nobody Has to Know [2021]: ‘TIFF’ Review – A Melancholic Look At Finding Love To Counter Loneliness
One of the most under-explored aspects of modern movies and TV shows is geography. You might’ve hated studying about it…
The Middle Man [2021]: ‘TIFF’ Review – Coen-esque black comedy falls short of its potential
Here’s something interesting – Bent Hamer’s The Middle Man is a Dutch, Norwegian and German co-production, starring actors who are…
Reflection [2021]: ‘Venice’ Review – A Beautifully Shot Microcosmic Tale on Trauma & Violence
Ukrainian multi-hyphernate artist Valentyn Vasyanovych, the winner of Venice’s Orizzonti award for Atlantis (2019), once again returns to Venice Film…
Inexorable [2021]: ‘TIFF’ Review – Stoker Meets Misery In This French Thriller
There’s a lot of animosity towards all the remakes, sequels, reboots, and prequels that are being churned out by every…
Tughlaq Darbar [2021] Review: A political satire told through a unique hook
There is a singular form of pleasure in watching a movie and getting genuinely surprised as the main premise of…