Anhell69 [2022]: ‘Venice’ Review – A Intimate and Melancholic Portrait of the Young Queer Scene in Medellin
Anhell69 (2022) is the feature-length autobiographical documentary of Colombian filmmaker Theo Montoya. The story is set in the queer community…
Lost Inside (2022) Review: Sweet Indie Rom-Com that Treats Mental Health Almost Right
Lost Inside (2022) Review: I don’t expect rom-coms to portray mental health right because they automatically bring along the expectation…
Day Shift Soundtrack: Every Song Featured in the Netflix movie
Day Shift, the genre-bending August release on Netflix is a dream come true for every Vampire-action movie fan. The directorial…
Diorama [2022] Netflix Review: This Swedish Film Ruins a Relationship Drama with Unnecessary Tonal Shifts
There’s a sensible relationship drama hidden somewhere in Diorama, the new film by Swedish actress-filmmaker Tuva Novotny streaming on Netflix….
Dogborn [2022]: ‘Venice’ Review – An Evocative Drama Rooted in Humanism
Dogborn, directed by Isabella Carbonell, is making its world premiere in Critics Week at this year’s Venice Film Festival. While…
Goliath [2022]: ‘Venice’ Review – A Stark Vision of a Land Conspired of Violence
Remember this name: Adilkhan Yerzhanov. This Kazakh filmmaker’s brutish and uncompromising new feature film Goliath screens at the Orizzonti extra…
The Patient Episode 3: Recap & Ending Explained
The Patient Episode 3 Recap: The Patient has definitely sprung a surprise with its sensible blend of exposition and elements…
Little Women (Season 1), Episodes 1 & 2: Recap & Ending Explained
Little Women (Season 1), Episodes 1 & 2 Recap & Ending Explained: ‘Little Women (2022)’ is a Korean mystery drama…