The Portrayal of the Subaltern in Sachy’s Ayyappanum Koshiyum (2020)
The 2020 Prithviraj- Biju Menon starrer Ayyappanum Koshiyum (2020) directed by the late K. R. Sachidhanandhan, popularly known as Sachy,…
Ozu’s Equinox Flower [1958] : The Autumn of the Patriarch
Whether Yasujiro Ozu’s final six films, all of which were shot in color, can be categorized into an entirely separate…
The Family Man (2021): Six Reasons To Watch The New Season
Led by Sacred Games, Mirzapur, and The Family Man (2021), the Indian OTT arena has flourished ever since it came…
Ajeeb Daastaans [2021] Geeli Pucchi Review: The Colors Missing In Our Rainbows
Movies are often, predominantly, shot in two colors. Of course, other colors from the color palette of a movie are…
The Parcel [2021]: ‘NYIFF’ Review- A profoundly awful Rituparna Sengupta brings this inelegant slow burn crashing down
More than halfway into the film, in a single continuous shot positioned from the car’s bonnet, the husband and wife…
Holler [2021] Review: A gritty drama about a resolute girl getting by
The mood is drab, the colors washed out, and the tone serious. It is either Gene Back’s score, or Dustin…
The 10 Best Manoj Bajpayee Movie Performances
Manoj Bajpayee is one of the finest actors of our generation. His foothold in Hindi cinema has spanned both the…
Kalsubai [2021]: ‘Short Film’ Review – Examining a feminist mythos
The movement and transition achieved in Yudhajit Basu’s short documentary Kalsubai occur in nimble ways. The voice of a woman…