Iraivi [2016] : In the shadow of arrogant men!

Kartik Subbaraj is just 3 film old. With every film he has proven that he has a great knack for creating distinctive, well-rounded characters. He also weaves wonderful stories around them, throwing into them a little bit of his own struggle to make films in the first place. In his sophomore effort ‘Jigarthanda’ he placed himself in Siddhartha’s shoes who played a film-maker forced to make a violent gangster film in order to make a…
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Rustom 2016

Rustom (2016) Movie Review: A Mildly Entertaining, Wasted Opportunity

I enjoyed Rustom. Despite what the title of this article suggests or whatever idea you get in the end of it, I am making it clear that I liked watching it and not at all regretted the two and half hour long experience (totally unrelated, but I do regret the Mohenjo Daro experience, which I braved before Rustom by the way). But Rustom is not a good film. It is overly long, has a flawed…
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Fire At Sea [2016]: An Elegiac Reflection on the Unimaginable Agony

In โ€œFire At Seaโ€ aka “Fuoco Ammare”, Gianfranco Rosi uses the language of cinema to reinforce a tranquil as well as a turbulent reality. His images are a lament for the sufferings of fellow humans, concealed from our collective conscience. This documentary/docu-drama contemplates a desensitized tragedy through an unforgettable, humanistic perspective.
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Maggieโ€™s Plan [2016] : A refreshing take on familiar tropes.

โ€œMaggieโ€™s Planโ€, though deals with regular tropes of the genre like confused people, love and marriage, but it is so well written and smartly made that the audience actually end up having a good movie time, which is thoughtful and intense, but breezy and entertaining as well. And there lies the triumph of this movie.
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Chauthi Koot [2016] : The Fear in the Dog!

The imagery in Gurvinder Singh’s Chauthi Koot (The Fourth Direction) feels quite random at times. There are prolonged shots of farmed-green fields, rural roads, the front & back of a house, flies buzzing and rains falling outside as your look at it from inside the house in consideration. To a normal cinegoer this might seem like an exercise in ambiguous experimentalism. But to someone who wishes to consume cinema in its rawest and most delicately…
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Heaven knows What [2015]: ‘Mad Love in New York City’

Heaven knows what is the film adaptation of the unpublished memoir โ€œMad Love in New York Cityโ€ written by the filmโ€™s female lead Arielle Holmes. Before I even begin writing about the film, I have to mention the fascinating story about how the whole idea of making Heaven Knows What happened. Arielle Holmes was a homeless girl, who begged, stole, shoplifted for a living when she was spotted by the director duo Ben and Joshua…
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