Ae Dil Hai Mushkil [2016]: The Grapes of Love

In the end, Karan Johar’s much-hyped film about unrequited love comes off as a basketful of artificial fruits that looks delicious but is, unfortunately, inedible. Nonetheless, it is the most Joharistic film since Kuch Kuch Hota Hai, a crucial chapter in ‘Dharma’s Guide to Love and Friendship’ that also serves as a love letter to retro Bollywood.
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Lo and Behold: Reveries of the Connected World [2016] – JIO MAMI Mumbai Film Festival Review

Werner Herzog’s “Lo and Behold: Reveries of the Connected World” explores the grim, weird and the fundamentally positive side of man-made marvel – internet. The veteran film-maker’s keen perspective and the absence of moralistic hand-wringing stop it from being just another documentary about the digital world.
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Mountains May Depart [2016] : A Capitalistic punishment.

The title card in Jia Zhangke’s Mountains May Depart appears somewhere around the 45-minute mark. Not only does it instantly change the way you look at the film (with a very subtle change in the aspect ratio) but also changes your feelings towards the film. As Zhangke himself said, he wanted to make a film about feelings that are surrounded by the changing consumerism, economy and a human need for a better future. So, as…
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