Iraivi [2016] : In the shadow of arrogant men!

Kartik Subbaraj is just 3 film old. With every film he has proven that he has a great knack for creating distinctive, well-rounded characters. He also weaves wonderful stories around them, throwing into them a little bit of his own struggle to make films in the first place. In his sophomore effort ‘Jigarthanda’ he placed himself in Siddhartha’s shoes who played a film-maker forced to make a violent gangster film in order to make a…
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Rustom 2016

Rustom (2016) Movie Review: A Mildly Entertaining, Wasted Opportunity

I enjoyed Rustom. Despite what the title of this article suggests or whatever idea you get in the end of it, I am making it clear that I liked watching it and not at all regretted the two and half hour long experience (totally unrelated, but I do regret the Mohenjo Daro experience, which I braved before Rustom by the way). But Rustom is not a good film. It is overly long, has a flawed…
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Fire At Sea [2016]: An Elegiac Reflection on the Unimaginable Agony

In “Fire At Sea” aka “Fuoco Ammare”, Gianfranco Rosi uses the language of cinema to reinforce a tranquil as well as a turbulent reality. His images are a lament for the sufferings of fellow humans, concealed from our collective conscience. This documentary/docu-drama contemplates a desensitized tragedy through an unforgettable, humanistic perspective.
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Maggie’s Plan [2016] : A refreshing take on familiar tropes.

“Maggie’s Plan”, though deals with regular tropes of the genre like confused people, love and marriage, but it is so well written and smartly made that the audience actually end up having a good movie time, which is thoughtful and intense, but breezy and entertaining as well. And there lies the triumph of this movie.
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Chauthi Koot [2016] : The Fear in the Dog!

The imagery in Gurvinder Singh’s Chauthi Koot (The Fourth Direction) feels quite random at times. There are prolonged shots of farmed-green fields, rural roads, the front & back of a house, flies buzzing and rains falling outside as your look at it from inside the house in consideration. To a normal cinegoer this might seem like an exercise in ambiguous experimentalism. But to someone who wishes to consume cinema in its rawest and most delicately…
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