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Ed Gein girlfriend
News

Who was Adeline Watkins, the alleged girlfriend of Ed Gein from Netflix’s Monster?

By Bob Skeetes
Adeline Watkins is famously known for claiming she had a long romantic relationship with Ed Gein, the infamous “Butcher of…
Read More Who was Adeline Watkins, the alleged girlfriend of Ed Gein from Netflix’s Monster?
October 4, 2025
Bob Skeetes
My Hero Academia Season 8
Anime | News

My Hero Academia Season 8: All Episode Release Schedule, Plot, Cast & Where to Watch

By Khushi Verma
My Hero Academia Season 8, the final season of the beloved anime series, continues the intense saga of heroes and…
Read More My Hero Academia Season 8: All Episode Release Schedule, Plot, Cast & Where to Watch
October 4, 2025
Khushi Verma
Rashmika Mandanna and Vijay Deverakonda Engaged? Here’s the Real Story!
News

Rashmika Mandanna and Vijay Deverakonda Engaged? Here’s the Real Story!

By Khushi Verma
Rashmika Mandanna and Vijay Deverakonda have been linked in the public eye for years, first sparking romance rumours after their…
Read More Rashmika Mandanna and Vijay Deverakonda Engaged? Here’s the Real Story!
October 4, 2025
Khushi Verma
Between Surnames and Silences: The Unflinching World of Neeraj Ghaywan’s ‘Homebound’ (2025) Chandan and Shoaib, the protagonists of Ghaywan’s world, stand at opposite poles-- the former, a Dalit man from a scheduled caste; the latter, an orthodox Muslim. Though they share little in common, they are bound together, ever-so-strongly, by an unrelenting desire to break free from the shackles imposed by society. Yet as the film unfolds, we realise that more than society, it is themselves they must escape from.  In his relentless attempt at spotlighting pressing socio-economic realities, Ghaywan lays bare a blistering truth: a significant portion of one’s identity is predetermined at birth, with no room for choice. The rest of life becomes a sentence, a punishment-- a burden of carrying that truth until the very last day. What follows is a cruel decision: to fight for balance, or to conceal and retreat in order to survive. Both paths are unjust, yet both remain undeniable verities.  What “Homebound” does effortlessly is interrogate identity, religion, and caste erasure through a deeply personal, juxtaposed lens. Its characters do not merely wear these labels; they live and breathe them each day. For those born with higher immunities, such hierarchies might appear to matter only when filling out forms or applying for jobs. Yet the film insists otherwise-- it roots discrimination in the most mundane acts: filling a water bottle, sharing a meal. In these banal moments, when surnames don’t align with the standards, one is made distinctly aware of exclusion.  Several poignant moments highlight this duality-- the two-edged sword of identity. To reveal or not to reveal. That is the question. The stark dichotomy emerges in the mindsets of Chandan and Shoaib. Chandan, quiet and withdrawn, is the boy who never raised his hand in class, who always chose silence. On official forms, he ticked the “General Quota” box despite belonging to a Scheduled Caste-- shielding himself from torture and name-calling at his university or police job. So fearful of revealing his surname, he often erased the question altogether, retreating into half-truths.  The tremor in his voice-- brought to life brilliantly by Vishal Jethwa-- betrayed his terror at disclosing who he truly was. To survive, he would dismiss caste inquiries by calling himself a Brahmin or restricting himself to just his first name. His lover, Sudha, captures the futility of such concealment when she tells him: “Even if we end up with the same job, the same uniform, solving the same problems, we’ll still eat on the floor while they sit on high-chairs. That is why I carry my own chair wherever I go.”  Do Check Out: Homebound (2025) ‘Cannes’ Movie Review: Neeraj Ghaywan’s Sophomore Feature Continues His Caste Examination With A Classically Dramatic Touch Shoaib, on the other hand, is Chandan’s opposite. Proud, outspoken, and uncompromising, he wears his religion and identity on his sleeve. He refuses to conceal his Muslim background, never bowing under pressure. But his courage comes with a cost. He is met with intensified discrimination and hostility. His senior refuses to let him touch his water bottle, insisting he will fill it himself. At work, he is asked to provide unnecessary documents, subjected to repeated background checks designed to exhaust him. At a corporate party, he is mocked as a Pakistani sympathiser, handed Lahori Korma to taste because, of course, he would “know how it should be cooked.” What begins as playful banter descends into humiliation so deep that Shoaib quits his respectable job and accepts a demotion he never wanted.  The two men embody opposing strategies for survival: Chandan hides and climbs the ladder, Shoaib reveals and slips down it. Yet Ghaywan’s message is stark: neither path leads to liberation. Our society has made existence itself a curse, forcing individuals into impossible binaries: reveal or conceal, fight or retreat. Whichever choice you make, the cost is unbearable. We impose so many labels, standards, and hierarchies that embracing difference feels like an affliction. The film suggests we are inching toward a dystopia of uniformity, where everyone becomes a puppet, a cog, a robot.  This despair resonates most vividly in the film’s pandemic sequences. Survival is not simply about resilience… It’s about origins, surnames, and connections. Aid is rationed according to where you come from and who you are. While the wealthy remain shielded in their mansions or travel in SUVs, the poor trudge on foot from village to village, changing transport endlessly, only to suffer most despite having laboured hardest. Their surnames lack weight; their identities offer no shield. And yet, even in this climate of abandonment, they find refuge in each other. What society denies them in dignity, they reclaim in companionship.  At every turn, life hurls another curveball: brief moments of fortune followed swiftly by storms. The narrative’s peaks and troughs leave the audience breathless, aching with the heaviness of not belonging. There is not a single setting in which the weight of their identities did not bear down on them, except when they are in each other’s presence. Only there is a certain sense of unconditionality, where differences dissolve and only solidarity remains.  “Homebound” ultimately uncovers two profound truths. The first is that living in a society that prides itself on being liberal, diverse, and democratic is an unrelenting battle, because beneath the rhetoric, it remains chained to hierarchies of religion, caste, and identity. The film reveals how difficult it is to simply exist when your very name, your faith, or the community you belong to becomes a marker that others use to discriminate against you. There is no neutral ground, no win-win situation in a world where the baggage of identity follows you everywhere.  And yet, the film also insists on something softer, something hopeful. Even when society erases you, strips you of the weight of your surname or background, some bonds cannot be reduced to labels. There is a space where friendship, loyalty, and chosen family create a home untouched by prejudice. That’s where “Homebound” lingers… in the tension between erasure and belonging, between bitterness and tenderness. It shuns the cruelty of systems that divide, while at the same time reminding us of the beauty of bonds that heal, protect, and endure. Also Read: A Humanistic Mirror to India’s Fault Lines: Neeraj Ghaywan’s ‘Homebound’ Homebound (2025) Movie Links: IMDb, Rotten Tomatoes, Wikipedia, Letterboxd
Column

Between Surnames and Silences: The Unflinching World of Neeraj Ghaywan’s ‘Homebound’ (2025)

By Rhea Raj Shinde
PS – This article contains spoilers: In today’s landscape of mainstream cinema, it is rare to find a film that…
Read More Between Surnames and Silences: The Unflinching World of Neeraj Ghaywan’s ‘Homebound’ (2025)
October 4, 2025
Rhea Raj Shinde
Werckmeister Harmonies (2000) Movie
Review

Werckmeister Harmonies (2000) Movie Review: A Haunting Drama on the Fragile Border of Order and Chaos

By Sebastian Sommer
Béla Tarr’s “Werckmeister Harmonies” (Original title: “Werckmeister harmóniák,” 2000) is a haunting exploration of the fragility of order and the…
Read More Werckmeister Harmonies (2000) Movie Review: A Haunting Drama on the Fragile Border of Order and Chaos
October 4, 2025
Sebastian Sommer
The 25 Best Dog Movies of all Time
Evergreen List | Featured

The 25 Best Dog Movies of all Time

By Deepshikha Deb
Some dog movies just stay with you — classics like Lady and the Tramp, heartbreaking tales like Old Yeller, adventures…
Read More The 25 Best Dog Movies of all Time
October 4, 2025
Deepshikha Deb
Disney plus hulu
News

Disney Plus Shuts down Hulu After 20 Years: Here’s What You Need to Know

By Khushi Verma
If you’ve been a fan of Hulu alongside Disney Plus, there’s a major shakeup coming that everyone’s talking about. After…
Read More Disney Plus Shuts down Hulu After 20 Years: Here’s What You Need to Know
October 4, 2025
Khushi Verma
did ed gein kill his brother in real life
News

The Truth Behind “Did Ed Gein Kill His Brother in Real Life?” — What Really Happened

By Naveed Zahir
Netflix’s “Monster: The Ed Gein Story” wastes no time plunging into the dark lore around Ed Gein and his family…
Read More The Truth Behind “Did Ed Gein Kill His Brother in Real Life?” — What Really Happened
October 4, 2025
Naveed Zahir

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