Frankenstein (2025) ‘Venice Film Festival’ Movie Review: Guillermo del Toro’s Latest Monster Mash is Gothic, Gory, Gorgeous, and Just a Bit Staid
Frankenstein is director Guillermo del Toro’s third adaptation in a row, and the seams might be starting to show. His…
After the Hunt (2025) ‘Venice Film Festival’ Review: This Cancel-Culture Thriller is an Empty Discourse Dud
After the Hunt is all bark and no bite. It might have the best tagline of the year – “Not…
The Smashing Machine (2025) ‘Venice Film Festival’ Movie Review: Hulking Dwayne ‘The Rock’ Johnson’s Anti-Biopic is Stylish, Underwhelming Sports Flick
The Smashing Machine” (2025) opens with a montage of Mark Kerr – played by Dwayne ‘The Rock’ Johnson with heavy…
Father Mother Sister Brother (2025) ‘Venice Film Festival’ Movie Review: Pure Jarmusch Is Obtuse, Slight, and Lingering
“Father Mother Sister Brother” marks Jim Jarmusch’s return to anthology filmmaking. The self-described anti-action movie that recently won the top…
A House of Dynamite (2025) ‘Venice Film Festival’ Movie Review: Nuclear War Thriller Lacks Payload
Kathryn Bigelow’s “A House of Dynamite” (2025) starts with an explosion and an onscreen warning. It’s a real-time thriller steeped…
Rental Family (2025) ‘TIFF’ Movie Review: Hikari’s Tale of Cheap Emotional Gratification Lives Up To That Promise in its Own Execution
Should a film like “Rental Family”—about the tribulations of navigating a business built on hollow emotional manipulation—be commended or disparaged…
The 10 Best Films of Chris Evans According to Rotten Tomatoes
Chris Evans has become a household name in Hollywood thanks to his memorable performances across a wide spectrum of films….
Madharaasi (2025) Movie Review: Not a Wholesome Action Thriller but Watchable
2025, so far, has been underwhelming for big-budget, eagerly awaited Tamil blockbusters, leaving “Madharasi” (Madharaasi, 2025) carrying the weight of…