Dirge of Resistance: Unveiling Patriarchy and Power in ‘Mirch Masala’ (1987)
The newly appointed subedar is a despot. He laughs malevolently, asks for women at night in his tent, lashes, and…
Against the Tides: A Conversation with Sarvnik Kaur
Sarvnik Kaur is the director of coveted documentary Against the Tide (2023) that captures the lives of indigenous fishing communities…
Black Christmas (2019) Movie Ending Explained: How Do Riley and the Sisters Put an End to the Cult?
Blumhouse and Universal’s Black Christmas reinvents the 1974 cult classic with a daring reimagining of the slasher genre. While the…
Me, Maryam, the Children and 26 Others (2024) ‘Iffi’ Movie Review: A Comforting, Inventive Tale of Silent Rebellion and the Joys of the Creative Process
In Farshad Hashemi’s debut feature film, “Me, Maryam, The Children, and 26 Others,” a 30-something woman who has been away…
Sundance 2025 Complete Lineup Annouced: New Film by Ira Sachs, Sophie Hyde headline the Biggest Indie festival in the world
Today the nonprofit Sundance Institute announced the 87 feature films and six episodic projects selected for the 2025 Sundance Film…
The Empty Man (2020) Movie Ending Explained: What Drives James Lasombra’s Transformation into the Empty Man?
David Prior’s debut feature, The Empty Man (2020), stands out as a unique entry in the realm of ‘summoning’ horror…
10 Best Ralph Fiennes Movie Performances
With both “Conclave” to satisfy the middle-aged dads of the world yearning for a classic mid-scale thriller, and “The Return”…
I, The Song (2024) ‘Tallinn Black Nights Film Festival’ Movie Review: Dechen Roder’s Visually Evocative Film Traverses Rediscovery and Growth
Dechen Roder’s “I, The Song” (2024) opens with a crisis. Nima (Tandin Bidha), a schoolteacher, finds herself in the middle…