Venom: The Last Dance (2024) Movie Review: Charming Road Trip Movie Starring a Man and His Symbiote, Interrupted by Generic Superhero Fare
The key to the surprising success of the “Venom” trilogy, other than the existence of a trilogy of Venom movies…
Tortoise Under the Earth (Dharti Latar Re Horo, 2024) ‘MUBI’ Movie Review: A Patient and Beautifully Engaging Marriage Story on the Eternal Pain of Displacement
One of the biggest celebratory occasions in Jharkhand is the annual Chhath Puja, popular as the only surviving pre-Vedic festival…
Dying (Sterben, 2024) ‘MAMI’ Movie Review: An Unhurried, Detailed Look into the Burden of Living
Matthias Glasner’s “Dying” is three hours long but it passes by like a breeze. As its English title suggests, the…
Do Patti (2024) Movie Review: Important Messaging Gets Lost in the Morass of an Incoherent Narrative
Kanika Dhillon’s oeuvre seems to suggest a resurgence of the pulpy nature of storytelling as well as a hearkening back…
‘Here’ Trailer: Tom Hanks and Robin Wright’s Emotional Reunion With Robert Zemeckis Spans Lifetimes in One Room
Sony Pictures has released the highly anticipated trailer for Here, the latest film by Robert Zemeckis, reuniting him with Forrest…
‘Girls Will Be Girls’ Is an Intimate Love Letter to Girlhood & Those Who Missed Out on Theirs
“Girls Will Be Girls” (2024) marks an illustrious debut feature by Shuchi Talati— a homage to the yearning and gravity…
The City (2023) ‘Chelsea Film Festival’ Movie Review: A Hip-Hop Noir Opera Blends Cultures for a Spectacle that’s Truly Unique
Amit Ulman’s “The City” is entertaining even presented in a vacuum, but it best comes to life with a deeper…
MadS (2024) ‘Shudder’ Movie Review: A Relentlessly Cynical Techno-Zombie Thriller
It does not take much time to see what director David Moreau intends to do with his maddeningly zesty zombie…