Father Mother Sister Brother (2025) ‘Venice Film Festival’ Movie Review: Pure Jarmusch Is Obtuse, Slight, and Lingering
“Father Mother Sister Brother” marks Jim Jarmusch’s return to anthology filmmaking. The self-described anti-action movie that recently won the top…
A House of Dynamite (2025) ‘Venice Film Festival’ Movie Review: Nuclear War Thriller Lacks Payload
Kathryn Bigelow’s “A House of Dynamite” (2025) starts with an explosion and an onscreen warning. It’s a real-time thriller steeped…
Rental Family (2025) ‘TIFF’ Movie Review: Hikari’s Tale of Cheap Emotional Gratification Lives Up To That Promise in its Own Execution
Should a film like “Rental Family”—about the tribulations of navigating a business built on hollow emotional manipulation—be commended or disparaged…
The 10 Best Films of Chris Evans According to Rotten Tomatoes
Chris Evans has become a household name in Hollywood thanks to his memorable performances across a wide spectrum of films….
Madharaasi (2025) Movie Review: Not a Wholesome Action Thriller but Watchable
2025, so far, has been underwhelming for big-budget, eagerly awaited Tamil blockbusters, leaving “Madharasi” (Madharaasi, 2025) carrying the weight of…
What She Doesn’t Know (2025) Movie Review: A Dull Attempt at Slasher Subversion
“What She Doesn’t Know” is the latest film from horror filmmaker Juan Pablo Arias Munoz. It follows a trio of…
The Lost Bus (2025) ‘TIFF’ Movie Review: Matthew McConnaughey Stuns in Another Visceral If Rudimentary Showing of Communal Resilience From Paul Greengrass
Paul Greengrass has never been one to let the recency of tragedy prevent him from viscerally recreating it in the…
Creative Arts Emmy 2025 Shockers: Who Won Big, Who Made History, and What’s Next for TV’s Top Creators?
The Creative Arts Emmy 2025 ceremony rolled out a blockbuster list of winners, honoring the best in technical achievement, guest acting, and…