An Interview with Anne Émond, Writer-Director of Peak Everything (2025)
One of our favourite hidden gems from this year’s Cannes Film Festival was Anne Émond’s “Peak Everything” (“Amour Apocalypse”). It’s…
Grihapravesh (2025) Movie Review: Subhashree Ganguly is the Shining Light in this Muddled Tribute to Rituparno Ghosh
Indraadip Dasgupta’s Grihapravesh (2025) is billed as a tribute to filmmaker Rituparno Ghosh. The premise also has promise: a chamber…
Where to Watch & Stream ‘The Ritual’ Online?: Digital Release Date Revealed
Fresh off its theatrical debut, The Ritual—an exorcism horror starring legends Al Pacino and Dan Stevens—is preparing to unleash its…
Tape (2025) “Raindance Film Festival London” Movie Review: A Hong Kong Reimagination of Linklater’s Indie Classic
“Reimagination” is not a newly coined term, but in recent years, many new-age and contemporary filmmakers have begun using it…
From A-Listers to Crew Women, How Hindi Film Industry’s Feminism Rings Hollow Without Basic Dignity
As an outsider to the internal mechanisms of the Hindi film industry, one may not claim proximity, but it doesn’t…
Where to Watch & Stream ‘Sister Midnight’ Online?: Digital Release Date Revealed
Acclaimed dark comedy Sister Midnight, starring Radhika Apte, is set to arrive on VOD and digital streaming platforms later this…
Our Happy Place (2024) Movie Review: Psychological Horror About a Woman in the Woods Struggles to Flesh Out Its Central Mystery
Paul Bickel’s “Our Happy Place” (2024) is an atmospheric horror film about a woman trying to make sense of her…
“It’s a Reckoning of Sorts”—Dominique Thorne on Ironheart’s Most Personal Mission Yet
Superheroes usually emerge with a clear moral compass, a shiny suit, and a neat origin story. But Ironheart flips that…