The Mastermind (2025) ‘Cannes’ Movie Review: Kelly Reichardt’s Genre Reshaping Targets the Heist Thriller For A Serenely Gripping Commentary on America’s Downturn
One of the most quietly quintessential American directors of our time, Kelly Reichardt has cemented her position on the international…
The Secret Agent (O Agente Secreto, 2025) ‘Cannes’ Movie Review: Subverting Genre Conventions to Revisit Brazil’s Military History
Those unacquainted with Kleber Mendonça Filho’s particular tonal register may find themselves bewildered that a film titled “The Secret Agent”…
Highest 2 Lowest (2025) ‘Cannes’ Movie Review: Spike Lee Respectfully Reenvisions a Kurosawa Classic With Strong New York Flavor
Needless to say, remaking one of the greatest films of all time by arguably the greatest filmmaker of all time…
Top 10 Blumhouse Movies According to Global Box Office
Blumhouse movies have always stood tall in spite of their low-budget fares, consistently delivering spine-chilling Box-office hits that captivate audiences…
Bhaimon Da (2025) Movie Review: A Love Letter to Assamese Cinema but with its Own Limitations
Bhaimon Da” (2025), a biopic of the celebrated Assamese filmmaker Munin Barua—affectionately known as Bhaimon Da by those close to…
The Thinking Game (2024) Movie Review: A Fascinating Look at AI and the People Behind It
So much hue and cry has been made over the negative impact of emerging AI technology that more cautiously optimistic…
Sentimental Value ( 2025) ‘Cannes’ Movie Review: Joachim Trier Returns With Another Complex Examination of The Bonds We Share And Those We Break
Expectations couldn’t possibly be higher for Trier’s follow-up to “The Worst Person in the World,” and if initial word-of-mouth is…
Homebound (2025) ‘Cannes’ Movie Review: Neeraj Ghaywan’s Sophomore Feature Continues His Caste Examination With A Classically Dramatic Touch
India’s presence on the European film festival circuit has been relatively–and worryingly–muted, especially given the nation’s seismic, almost self-sustaining movie…