No Other Choice (2025)

No Other Choice (Eojjeolsuga eobsda, 2025) โ€œTIFFโ€ Movie Review: Park Chan-wookโ€™s Deliriously Hysterical Answer to a Plummeting Job Market

Like most filmmakers, the major faces of South Koreaโ€™s current cultural crossover didnโ€™t prep themselves for the job force in…
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Frankenstein (2025)

Frankenstein (2025) โ€˜Venice Film Festivalโ€™ Movie Review: Guillermo del Toroโ€™s Latest Monster Mash is Gothic, Gory, Gorgeous, and Just a Bit Staid

Frankenstein is director Guillermo del Toroโ€™s third adaptation in a row, and the seams might be starting to show. His…
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The Smashing Machine (2025)

The Smashing Machine (2025) โ€˜Venice Film Festivalโ€™ Movie Review: Hulking Dwayne โ€˜The Rockโ€™ Johnsonโ€™s Anti-Biopic is Stylish, Underwhelming Sports Flick

The Smashing Machine” (2025) opens with a montage of Mark Kerr โ€“ played by Dwayne โ€˜The Rockโ€™ Johnson with heavy…
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Father Mother Sister Brother (2025) โ€˜Venice Film Festivalโ€™ Movie Review: Pure Jarmusch Is Obtuse, Slight, and Lingering

“Father Mother Sister Brother” marks Jim Jarmuschโ€™s return to anthology filmmaking. The self-described anti-action movie that recently won the top…
Read More Father Mother Sister Brother (2025) โ€˜Venice Film Festivalโ€™ Movie Review: Pure Jarmusch Is Obtuse, Slight, and Lingering