Will the Post-Credit Scenes in Ant-Man and the Wasp: Quantumania hit back at Marvel Studios’ plans?
Ant-Man and the Wasp: Quantumania, which has to be Marvel Studios’ worst outing yet; both in terms of critical response…
Omen (Augure, 2023) ‘Cannes’ Review: Baloji Weaves An Epic, Surreal Tale About Ostracization and The Weight of Destiny
Omen (Augure, 2023) ‘Cannes’ Review: Belgium-based artist and polymath Baloji debuted his first features at Cannes, and this utterly beautiful…
Succession (Season 4), Episode 9: Recap & Ending, Explained – How does Kendall channel Logan’s ruthlessness in spirit?
Succession (Season 4), Episode 9: Episode 9 was a bitter-sweet emotional rollercoaster. Logan’s memorial and funeral were always going to…
How Volver (2006) Became Pedro Almodóvar’s Most Revolutionary Film?
Pedro Almodóvar’s Volver (2006): This month, Almodóvar premiered his second English language short film at the Cannes Film Festival, Strange…
Bao (2018) Short Film Review: An Animated Short That Delves Into Asian Family Upbringing And Parental Dominance
Bao (2018) Short Film Review: Asian representation in mainstream Hollywood has long been caricaturish and cartoonish. A handful of films…
15 Best Films of Jean-Luc Godard
For many, the greatest of all directors, few artists can claim to have had as seismic an impact on 20th-century…
The Other Laurens (2023) ‘Cannes’ Review: A Delectable Deadpan Neo-Noir
Belgian filmmaker Claude Schmtiz’s The Other Laurens (L’autre Laurens, 2023) – screened at Directors’ Fortnight at Cannes – is a…
Unraveling Oz Perkins’ The Blackcoat’s Daughter (2015)
The Blackcoat’s Daughter (2015): Osgood “Oz” Perkins’ atmospheric directorial debut, “The Blackcoat’s Daughter,” may have garnered critical acclaim amongst critics….