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High On Films

Ajay Rahul Raja

A cinephile at heart, working in IT by day but living and breathing cinema always. Constantly thinking about films, slipping movie quotes into daily conversations, and crafting screenplays that may never hit the big screen—yet proudly embracing the passion for world cinema, one film at a time.
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Sister Midnight (2024) Movie Review: A Witty Satire on Marriage and Women Entrapment 
Review

Sister Midnight (2024) Movie Review: A Witty Satire on Marriage and Women Entrapment 

Ajay Rahul Raja April 15, 2025

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On Falling (2024) Movie Review: A Realistic Portrait of an Immigrant’s Struggles and Isolation 
Review

On Falling (2024) Movie Review: A Realistic Portrait of an Immigrant’s Struggles and Isolation 

Ajay Rahul Raja May 3, 2025

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Aloners (2021) Movie Review: A Meditative Slow-Burn Drama on Loneliness and Existence 
Review

Aloners (2021) Movie Review: A Meditative Slow-Burn Drama on Loneliness and Existence 

Ajay Rahul Raja April 15, 2025

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Vidaamuyarchi (2025) Movie Review: A Visually Appealing Remake Yet Emotionally Hollow Film 
Review

Vidaamuyarchi (2025) Movie Review: A Visually Appealing Remake Yet Emotionally Hollow Film 

Ajay Rahul Raja March 2, 2025

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The Last Showgirl (2024) Movie Review: A Star Reborn or a Fading Light? 
Review

The Last Showgirl (2024) Movie Review: A Star Reborn or a Fading Light? 

Ajay Rahul Raja March 2, 2025

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  • Film Festivals
    • Cannes
    • Berlinale
    • BFI London Film Festival
    • Fantasia
    • IFFI
    • Locarno
    • DIFF
    • MAMI
    • NYAFF
    • Sundance
    • Sydney Film Festival
    • TIFF
  • Reviews
    • In Theaters
  • Lists
  • Essays
    • Column
    • Interviews
  • Explainers
    • Streaming Now
  • News
  • Write For Us
  • HOF Games
    • High on Films Daily Jigsaw
    • High on Films Weekly Crossword