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High On Films

Bipasha Bhattacharyya

Bipasha Bhattacharyya is a graduate in liberal arts, with a deep interest in cinema, culture, and creative storytelling. Her work often explores the intersections of memory, identity, and politics on screen, blending critical insight with a strong narrative voice. She believes in the power of film as both art and activism, and uses her writing to question, reflect, and reimagine the world it portrays. Beyond film criticism, she also writes creative copies and campaigns that blend narrative instinct with cultural insight. Whether it’s a sharply observed review or a punchy campaign line, her writing carries the same intent: to question, reflect, and reimagine the world through stories that matter. Bipasha also writes for Reborn India Film and News Tap One
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Without Kelly (2026) ‘Sundance’ Short Film Review:  Where Love Persists in Memories 
Film Festivals · Review · Sundance

Without Kelly (2026) ‘Sundance’ Short Film Review:  Where Love Persists in Memories 

Bipasha Bhattacharyya February 24, 2026

Read More Without Kelly (2026) ‘Sundance’ Short Film Review:  Where Love Persists in Memories Continue

‘Titli’ and the Fragile Dream of Becoming Free in Contemporary India
Column

‘Titli’ and the Fragile Dream of Becoming Free in Contemporary India

Bipasha Bhattacharyya January 19, 2026

Read More ‘Titli’ and the Fragile Dream of Becoming Free in Contemporary IndiaContinue

A Decade of Contemporary Bengali Cinema (2015 – 2025)
List

A Decade of Contemporary Bengali Cinema (2015 – 2025)

Bipasha Bhattacharyya December 1, 2025

Read More A Decade of Contemporary Bengali Cinema (2015 – 2025)Continue

Nadharer Bhela (2025) ‘KIFF’ Movie Review: The Metamorphosis of Nadhar  
Film Festivals · Review

Nadharer Bhela (2025) ‘KIFF’ Movie Review: The Metamorphosis of Nadhar  

Bipasha Bhattacharyya December 23, 2025

Read More Nadharer Bhela (2025) ‘KIFF’ Movie Review: The Metamorphosis of Nadhar  Continue

The Woman Who Wasn’t There: Her Memory, Her Geography, and the Ghost of Her, in the Cold War (2018)
Essay

The Woman Who Wasn’t There: Her Memory, Her Geography, and the Ghost of Her, in the Cold War (2018)

Bipasha Bhattacharyya November 14, 2025

Read More The Woman Who Wasn’t There: Her Memory, Her Geography, and the Ghost of Her, in the Cold War (2018)Continue

Small Time Crooks (2000) Movie Review: Cookies, Class, and the Price of Wanting More  
Review

Small Time Crooks (2000) Movie Review: Cookies, Class, and the Price of Wanting More  

Bipasha Bhattacharyya November 17, 2025

Read More Small Time Crooks (2000) Movie Review: Cookies, Class, and the Price of Wanting More  Continue

Ovary-Acting (2025) Short Film Review: The Puppet Uterus, the Baby Shower Trial, and the Economy of Choice
Review

Ovary-Acting (2025) Short Film Review: The Puppet Uterus, the Baby Shower Trial, and the Economy of Choice

Bipasha Bhattacharyya November 17, 2025

Read More Ovary-Acting (2025) Short Film Review: The Puppet Uterus, the Baby Shower Trial, and the Economy of ChoiceContinue

The Summer Book (2025) Movie Review: Quiet Islands, Lingering Absence, and the Gift of Stillness
Review

The Summer Book (2025) Movie Review: Quiet Islands, Lingering Absence, and the Gift of Stillness

Bipasha Bhattacharyya October 29, 2025

Read More The Summer Book (2025) Movie Review: Quiet Islands, Lingering Absence, and the Gift of StillnessContinue

The Curse of Conformity: The Quiet Rebellion of Radha in ‘Holy Curse’
Column

The Curse of Conformity: The Quiet Rebellion of Radha in ‘Holy Curse’

Bipasha Bhattacharyya October 22, 2025

Read More The Curse of Conformity: The Quiet Rebellion of Radha in ‘Holy Curse’Continue

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  • Film Festivals
    • Cannes
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