Film Festivals · Review Like A Sick Yellow, What we Ask of a Statue is That it Doesn’t Move (2024) ‘Sarajevo’ Shorts Reviews Debanjan Dhar March 2, 2025
Film Festivals · Review Holy Week (Saptamana Mare, 2024) ‘Sarajevo’ Movie Review: Niftily Blurs the Lines Between the Victim and the Aggressor Debanjan Dhar March 2, 2025
Film Festivals · Review A Picture to Remember (2024) ‘Sarajevo’ Movie Review: Piercing Patchwork of Everyday Living in War-Torn Ukraine Debanjan Dhar March 2, 2025
Film Festivals · Review Who By Fire (2024) ‘MIFF’ Movie Review: Terrifically Absorbing Slicing Through of Strained Dynamics and Male Ego Debanjan Dhar March 2, 2025
Film Festivals · Review The Rye Horn (2024) ‘MIFF’ Movie Review: Jaione Camborda’s Visually Well-Realized Drama Wavers in Its Screenplay Debanjan Dhar March 2, 2025
Film Festivals · Review Celebration (2024) ‘Sarajevo’ Movie Review: Peculiarly Lacking Look at the Making of a Defeated Fascist Militia Debanjan Dhar March 2, 2025
Film Festivals · Review A Traveler’s Needs (2024) ‘MIFF’ Movie Review: Isabelle Huppert is at Her Beguiling Best in Hong Sang-soo’s Evasive Charmer Debanjan Dhar March 2, 2025
Film Festivals · Review Family Therapy (2024) ‘Sarajevo’ Movie Review: Strikingly Odd Snapshot of Family Fault Lines Debanjan Dhar March 2, 2025
Film Festivals · Review Armand (2024) ‘MIFF’ Movie Review: Renate Reinsve’s All-Consuming, Visceral Performance Powers Halfdan Ullmann Tøndel’s Searing School Drama Debanjan Dhar March 2, 2025
