Film Festivals · Review · Venice Film Festival Mon Inseparable (My Everything, 2024) ‘Venice’ Movie Review: The Ever-Extraordinary Laure Calamy Delivers One of the Year’s Most Wrenching Performances Debanjan Dhar March 2, 2025
Film Festivals · Review · Venice Film Festival Familia (2024) ‘Venice’ Movie Review: A Bracing, Unsettling Look at Living with Abuse Debanjan Dhar March 2, 2025
Film Festivals · Review · Venice Film Festival Vittoria (2024) ‘Venice’ Movie Review: An Earnest, Deeply Moving Account of a Mother’s Adoption Journey Debanjan Dhar March 2, 2025
Film Festivals · Review Like A Sick Yellow, What we Ask of a Statue is That it Doesn’t Move (2024) ‘Sarajevo’ Shorts Reviews Debanjan Dhar March 2, 2025
Film Festivals · Review Holy Week (Saptamana Mare, 2024) ‘Sarajevo’ Movie Review: Niftily Blurs the Lines Between the Victim and the Aggressor Debanjan Dhar March 2, 2025
Film Festivals · Review A Picture to Remember (2024) ‘Sarajevo’ Movie Review: Piercing Patchwork of Everyday Living in War-Torn Ukraine Debanjan Dhar March 2, 2025
Film Festivals · Review Who By Fire (2024) ‘MIFF’ Movie Review: Terrifically Absorbing Slicing Through of Strained Dynamics and Male Ego Debanjan Dhar March 2, 2025
Film Festivals · Review The Rye Horn (2024) ‘MIFF’ Movie Review: Jaione Camborda’s Visually Well-Realized Drama Wavers in Its Screenplay Debanjan Dhar March 2, 2025
Film Festivals · Review Celebration (2024) ‘Sarajevo’ Movie Review: Peculiarly Lacking Look at the Making of a Defeated Fascist Militia Debanjan Dhar March 2, 2025
