Film Festivals · Review Who By Fire (2024) ‘MIFF’ Movie Review: Terrifically Absorbing Slicing Through of Strained Dynamics and Male Ego Debanjan Dhar March 2, 2025
Film Festivals · Review The Rye Horn (2024) ‘MIFF’ Movie Review: Jaione Camborda’s Visually Well-Realized Drama Wavers in Its Screenplay Debanjan Dhar March 2, 2025
Film Festivals · Review Celebration (2024) ‘Sarajevo’ Movie Review: Peculiarly Lacking Look at the Making of a Defeated Fascist Militia Debanjan Dhar March 2, 2025
Film Festivals · Review A Traveler’s Needs (2024) ‘MIFF’ Movie Review: Isabelle Huppert is at Her Beguiling Best in Hong Sang-soo’s Evasive Charmer Debanjan Dhar March 2, 2025
Film Festivals · Review Family Therapy (2024) ‘Sarajevo’ Movie Review: Strikingly Odd Snapshot of Family Fault Lines Debanjan Dhar March 2, 2025
Film Festivals · Review Armand (2024) ‘MIFF’ Movie Review: Renate Reinsve’s All-Consuming, Visceral Performance Powers Halfdan Ullmann Tøndel’s Searing School Drama Debanjan Dhar March 2, 2025
Explainer Twilight of the Warriors: Walled In (2024) Movie Ending Explained: Can Loyalty & Supernatural Forces Overcome the Walled City’s Darkness? Debanjan Dhar August 18, 2024
Film Festivals · Locarno · Review Toxic (2024) ‘Locarno’ Movie Review: Blistering Debut Foregrounds the Act of Flight Debanjan Dhar August 18, 2024
Film Festivals · Locarno · Review Eight Postcards from Utopia, Sleep #2 (2024) ‘Locarno’ Movie Review: Radu Jude Proves Yet Again Why He’s One of the Most Radical Mischief-Makers in Contemporary Cinema Debanjan Dhar March 2, 2025