DIFF · Film Festivals · Review Mintgumri [2021]: ‘DIFF’ Review- Full of extraordinary, overwhelming gentleness, but never forgets its bracing honesty Debanjan Dhar November 15, 2021
DIFF · Film Festivals · Review Shoebox [2021]: ‘DIFF’ Review – Empty gestures mangle this ode to a single screen and a changing city Debanjan Dhar July 17, 2023
Film Festivals · NYAFF · Review Shadows [2021]: ‘NYAFF’ Review – An Uninventive Thriller that barely flares Debanjan Dhar August 18, 2021
Review Srijit Mukherjee’s determinedly silly ‘REKKA’ pushes the limits of lazy, clueless Filmmaking Debanjan Dhar August 16, 2021
Film Festivals · NYAFF · Review Three Sisters [2021]: ‘NYAFF’ Review- A Terrific Moon So-Ri elevates this middling but moving drama Debanjan Dhar August 13, 2021
Film Festivals · NYAFF · Review Zokki [2021]: ‘NYAFF’ Review- Exasperatingly masculine vision of eccentrics dismisses and denies women of any narrative space Debanjan Dhar August 6, 2021
Streaming Now · TV · TV Review · Zee5 Global Ladies and Gentlemen (Season 1): ‘Zee5’ Review – This Gripping, but Unsteady Questioning of Sexual Abuse Needed more Sting Debanjan Dhar March 15, 2024
Cannes · Film Festivals · Review The Employer and the Employee [2021]: ‘Cannes’ Review – A Modest, Bleak Portrait of Class Privilege and Indifference Debanjan Dhar July 26, 2021
Article · Essay Yugant (1995) – Looking at Eco Feminism through the Prism of an Estranged Marriage Debanjan Dhar July 12, 2021
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![Zokki [2021]: ‘NYAFF’ Review- Exasperatingly masculine vision of eccentrics dismisses and denies women of any narrative space](https://www.highonfilms.com/wp-content/uploads/2021/08/Zokki-NYAFF-1-768x432.jpeg)
![The Employer and the Employee [2021]: ‘Cannes’ Review – A Modest, Bleak Portrait of Class Privilege and Indifference](https://www.highonfilms.com/wp-content/uploads/2021/07/The-Employer-and-the-Employee-768x402.jpg)
