Film Festivals · Review The Balconettes (2024) ‘Cinemania’ Movie Review: A Frantically Assertive Exercise in Feminist Horror-Comedy Julian Malandruccolo March 2, 2025
Review The Piano Lesson (2024) Movie Review: Family Dysfunction Meets the Vaguely Supernatural in a Thriller That Needs Fine Tuning Julian Malandruccolo March 2, 2025
Review Here (2024) Movie Review: Please, For the Love of God, Anywhere Else… Julian Malandruccolo March 2, 2025
Review Conclave (2024) Movie Review: Edward Berger’s Crisis of Tone Translates Well Into a Crisis of Faith Julian Malandruccolo March 2, 2025
Review Heretic (2024) Movie Review: Hugh Grant Blesses a Passable Thriller of Circular Theological Debates Julian Malandruccolo March 2, 2025
Film Festivals · Review Bird (2024) ‘FNC’ Movie Review: Andrea Arnold Takes Flight With a Lightened Touch to Her Gritty Realism Julian Malandruccolo March 2, 2025
Film Festivals · Review By the Stream (2024) ‘FNC’ Movie Review: Hong Sang-soo Continues His Reflective Odyssey Across Minor Waters Julian Malandruccolo March 2, 2025
Review Saturday Night (2024) Movie Review: Loving But Pointless Tribute to a Formative Moment in American Comedy Julian Malandruccolo March 2, 2025
Review The Wild Robot (2024) Movie Review: Ambitious in Form, Domesticated in Content Julian Malandruccolo March 2, 2025