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High On Films

Julian Malandruccolo

Just as eager to dig into cinema’s past as I am to see it move into the future! Sometimes I’m an unapologetic elitist, and sometimes I’m a slightly more apologetic elitist… it depends on the day.
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The Balconettes (2024) ‘Cinemania’ Movie Review: A Frantically Assertive Exercise in Feminist Horror-Comedy
Film Festivals · Review

The Balconettes (2024) ‘Cinemania’ Movie Review: A Frantically Assertive Exercise in Feminist Horror-Comedy

Julian Malandruccolo March 2, 2025

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The Piano Lesson (2024) Movie Review: Family Dysfunction Meets the Vaguely Supernatural in a Thriller That Needs Fine Tuning
Review

The Piano Lesson (2024) Movie Review: Family Dysfunction Meets the Vaguely Supernatural in a Thriller That Needs Fine Tuning

Julian Malandruccolo March 2, 2025

Read More The Piano Lesson (2024) Movie Review: Family Dysfunction Meets the Vaguely Supernatural in a Thriller That Needs Fine TuningContinue

Here (2024) Movie Review: Please, For the Love of God, Anywhere Else…
Review

Here (2024) Movie Review: Please, For the Love of God, Anywhere Else…

Julian Malandruccolo March 2, 2025

Read More Here (2024) Movie Review: Please, For the Love of God, Anywhere Else…Continue

Conclave (2024) Movie Review: Edward Berger’s Crisis of Tone Translates Well Into a Crisis of Faith
Review

Conclave (2024) Movie Review: Edward Berger’s Crisis of Tone Translates Well Into a Crisis of Faith

Julian Malandruccolo March 2, 2025

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Heretic (2024) Movie Review: Hugh Grant Blesses a Passable Thriller of Circular Theological Debates
Review

Heretic (2024) Movie Review: Hugh Grant Blesses a Passable Thriller of Circular Theological Debates

Julian Malandruccolo March 2, 2025

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Bird (2024) ‘FNC’ Movie Review: Andrea Arnold Takes Flight With a Lightened Touch to Her Gritty Realism
Film Festivals · Review

Bird (2024) ‘FNC’ Movie Review: Andrea Arnold Takes Flight With a Lightened Touch to Her Gritty Realism

Julian Malandruccolo March 2, 2025

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By the Stream (2024) ‘FNC’ Movie Review: Hong Sang-soo Continues His Reflective Odyssey Across Minor Waters
Film Festivals · Review

By the Stream (2024) ‘FNC’ Movie Review: Hong Sang-soo Continues His Reflective Odyssey Across Minor Waters

Julian Malandruccolo March 2, 2025

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Saturday Night (2024) Movie Review: Loving But Pointless Tribute to a Formative Moment in American Comedy
Review

Saturday Night (2024) Movie Review: Loving But Pointless Tribute to a Formative Moment in American Comedy

Julian Malandruccolo March 2, 2025

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The Wild Robot (2024) Movie Review: Ambitious in Form, Domesticated in Content
Review

The Wild Robot (2024) Movie Review: Ambitious in Form, Domesticated in Content

Julian Malandruccolo March 2, 2025

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  • Film Festivals
    • Cannes
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