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High On Films

Sakshi Salil Chavan

Sakshi is a Mass Communication & Filmmaking graduate from AJK MCRC Jamia Millia Islamia, New Delhi who discovered a newfound love for filmmaking during her degree. Specializing in Photography, Art Direction & Cinematography, she also enjoys creative writing, painting, journaling & cooking in her spare time. Sakshi co-directed their thesis documentary film “Because I Couldn’t Stop For Death” with Shefali Khan, working alongside her talented team, including Anas Arif, Mohammad Hammad, Mohammed Ayan Sayed, Shaqib Javed Chowdhury and Zaeem Ahmed Khan. With a knack for people and documentary storytelling, Sakshi is also passionate about video game narratives.
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Superboys Of Malegaon (2025): Faiza Ahmad Khan & Nasir Shaikh’s Cinephilic Legacy Finds Home In Bollywood & Beyond
Essay

Superboys Of Malegaon (2025): Faiza Ahmad Khan & Nasir Shaikh’s Cinephilic Legacy Finds Home In Bollywood & Beyond

Sakshi Salil Chavan April 24, 2025

Read More Superboys Of Malegaon (2025): Faiza Ahmad Khan & Nasir Shaikh’s Cinephilic Legacy Finds Home In Bollywood & BeyondContinue

‘Girls Will Be Girls’ Is an Intimate Love Letter to Girlhood & Those Who Missed Out on Theirs
Essay

‘Girls Will Be Girls’ Is an Intimate Love Letter to Girlhood & Those Who Missed Out on Theirs

Sakshi Salil Chavan February 25, 2025

Read More ‘Girls Will Be Girls’ Is an Intimate Love Letter to Girlhood & Those Who Missed Out on TheirsContinue

Chris Sanders’ The Wild Robot (2024) Tenderly Explores The Power Of Found Family
Column

Chris Sanders’ The Wild Robot (2024) Tenderly Explores The Power Of Found Family

Sakshi Salil Chavan October 16, 2024

Read More Chris Sanders’ The Wild Robot (2024) Tenderly Explores The Power Of Found FamilyContinue

Women in an Unforgiving World: Exploring Body Horror and Identity in Coralie Fargeat’s ‘The Substance’
Column

Women in an Unforgiving World: Exploring Body Horror and Identity in Coralie Fargeat’s ‘The Substance’

Sakshi Salil Chavan October 8, 2024

Read More Women in an Unforgiving World: Exploring Body Horror and Identity in Coralie Fargeat’s ‘The Substance’Continue

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  • Film Festivals
    • Cannes
    • Berlinale
    • BFI London Film Festival
    • Fantasia
    • IFFI
    • Locarno
    • DIFF
    • MAMI
    • NYAFF
    • Sundance
    • Sydney Film Festival
    • TIFF
  • Reviews
    • In Theaters
  • Lists
  • Essays
  • Explainers
  • Interviews
  • News
  • Streaming Now
  • Write For Us