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High On Films

Shubham Sharma

Shubham is a Berlin-based filmmaker, writer, and visual anthropologist with a deep love for cinema that challenges, provokes, and lingers. With a background in filmmaking, his work has been showcased at international festivals, exploring themes of memory, culture, and decolonial approaches to archive. His writing bridges art and academia, uncovering how films shape our understanding of history, society, and technology. When not working on his own projects, he delves into cinema’s untold stories—reviewing films with a critical yet passionate lens, always searching for the moments that truly resonate.
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Das Licht (The Light, 2025) ‘Berlinale’ Movie Review: Berlinale’s Controversial Opener is a Cracked Mirror Reflecting the West’s Performative Guilt
Berlinale · Film Festivals · Review

Das Licht (The Light, 2025) ‘Berlinale’ Movie Review: Berlinale’s Controversial Opener is a Cracked Mirror Reflecting the West’s Performative Guilt

Shubham Sharma March 26, 2025

Read More Das Licht (The Light, 2025) ‘Berlinale’ Movie Review: Berlinale’s Controversial Opener is a Cracked Mirror Reflecting the West’s Performative GuiltContinue

10 Must-See Movies from the Berlinale Film Festival 2025
International Film Festival · News

10 Must-See Movies from the Berlinale Film Festival 2025

Shubham Sharma March 2, 2025

Read More 10 Must-See Movies from the Berlinale Film Festival 2025Continue

Streams of Consequence: Ryusuke Hamaguchi’s Meditation on the Environmental Loss in ‘Evil Does Not Exist’
Column

Streams of Consequence: Ryusuke Hamaguchi’s Meditation on the Environmental Loss in ‘Evil Does Not Exist’

Shubham Sharma January 6, 2025

Read More Streams of Consequence: Ryusuke Hamaguchi’s Meditation on the Environmental Loss in ‘Evil Does Not Exist’Continue

From Cannes to the Commons: Why Fargeat’s ‘The Substance’ Reflects The Liberal Paralysis?
Column

From Cannes to the Commons: Why Fargeat’s ‘The Substance’ Reflects The Liberal Paralysis?

Shubham Sharma November 30, 2024

Read More From Cannes to the Commons: Why Fargeat’s ‘The Substance’ Reflects The Liberal Paralysis?Continue

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  • Film Festivals
    • Cannes
    • Berlinale
    • BFI London Film Festival
    • Fantasia
    • IFFI
    • Locarno
    • DIFF
    • MAMI
    • NYAFF
    • Sundance
    • Sydney Film Festival
    • TIFF
  • Reviews
    • In Theaters
  • Lists
  • Essays
    • Column
    • Interviews
  • Explainers
    • Streaming Now
  • News
  • Write For Us
  • HOF Games
    • High on Films Weekly Jigsaw
    • High on Films Monthly Crossword