From Slumber to Wakefulness: An Analysis of Sleep and Being Awake in Adoor Gopalakrishnan’s ‘Kodiyettam’ (‘Ascent,’ 1978)
Column A Temple of Idleness: Why Mallrats (1995) is the Most Sincere Film Among the Slacker Cinema Sebastian Sommer November 2, 2025
Column Halloween Special — The Cinematic History of the Witch: From Hag to Heroine Aja Haymore October 31, 2025
Column Halloween Special — The Haunting That Lingers: Revisiting the Horror of ‘Lake Mungo’ (2008) Christopher Rhoten October 31, 2025
Column From Slumber to Wakefulness: An Analysis of Sleep and Being Awake in Adoor Gopalakrishnan’s ‘Kodiyettam’ (‘Ascent,’ 1978) Jubin Abraham November 2, 2025
Column Seeing ‘Sir’ Through Dalit Feminist Gaze: Love Amid Inequality Priyanca Ambalvi November 2, 2025
Column The Pain of Being Unloved: An Empathetic Study on Siddharthan’s Self in ‘Aham’ (1992) Rugmini Dinu October 27, 2025
Column The Evolution of the Unreliable Narrator: From Film Noir to Contemporary Psychological Thrillers Adam Page October 25, 2025