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From Muddy Skirts to Clenched Hands: 20 Years of ‘Pride & Prejudice’ (2005)
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The Political Subtext of Govind Nihalani’s 1984 Satire ‘Party’ Is More Relevant Now Than Ever
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The Political Subtext of Govind Nihalani’s 1984 Satire ‘Party’ Is More Relevant Now Than Ever

Shikhar Verma September 11, 2024

Read More The Political Subtext of Govind Nihalani’s 1984 Satire ‘Party’ Is More Relevant Now Than EverContinue

Awaara (1951): Man Is A Product Of His Environment
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Awaara (1951): Man Is A Product Of His Environment

Shreyash Goyal September 9, 2024

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Sergei Eisenstein: Beyond the Father of Montage
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Sergei Eisenstein: Beyond the Father of Montage

Shinji Alizeh Majumder September 3, 2024

Read More Sergei Eisenstein: Beyond the Father of MontageContinue

How ‘Pather Panchali’ Redefined the Indian Film Aesthetics?
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How ‘Pather Panchali’ Redefined the Indian Film Aesthetics?

Shinji Alizeh Majumder September 2, 2024

Read More How ‘Pather Panchali’ Redefined the Indian Film Aesthetics?Continue

When Space Becomes Story: The Symbolism of Sexuality in ‘Agra’ 
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When Space Becomes Story: The Symbolism of Sexuality in ‘Agra’ 

Sohan Paul November 17, 2024

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Food and Gender through the Lens of Hindi Cinema 
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Food and Gender through the Lens of Hindi Cinema 

Santosh Kumar Mamgain August 21, 2024

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‘Tamasha’ and the Problem of Living Your Dreams
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‘Tamasha’ and the Problem of Living Your Dreams

Jigar Brahmbhatt March 2, 2025

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Intervals and their Role in Cinematic Art
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Intervals and their Role in Cinematic Art

Aditya Zagade August 14, 2024

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Shattered Dreams from Her Silent Island: Nagi in Girish Kasaravalli’s ‘Dweepa’
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Shattered Dreams from Her Silent Island: Nagi in Girish Kasaravalli’s ‘Dweepa’

Dr. Aparna Ajith August 13, 2024

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  • Film Festivals
    • Cannes
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