When Horror Hurts: Violence, Realism, and Responsibility in ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023)
Column Ti West’s “X” And The Viciousness Of Aging Women In The Horror Landscape Beatrice Gangi January 25, 2024
Column ‘Saltburn’ and the Case of Missing Perspective: Omitting for the Sake of Suspense Marvel Maximus February 9, 2024
Column How is “The Hunt” the Most Accurate Depiction of Social Horror? Ritesh Sharma January 11, 2024
Column How Netflix is Recreating the “Snyder Cut” Phenomenon with Rebel Moon? Adil Rahim Hyder February 3, 2024
Column Placing “A Girl Walks Home Alone At Night” within “The Girls of Revolution Street” Protests of Iran Martha Bird December 25, 2023
Column On Healing and Coping: How ‘Mysterious Skin’ Succeeds in Portraying Abuse Stories Federica Giampaolo December 25, 2023
Column Why Punch-Drunk Love (2002) is the Greatest Romcom of All Time? Ritesh Sharma December 19, 2023
