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From Muddy Skirts to Clenched Hands: 20 Years of ‘Pride & Prejudice’ (2005)
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The Necessity or Lack Thereof of Sex Scenes in Movies
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The Necessity or Lack Thereof of Sex Scenes in Movies

Ritesh Sharma July 10, 2024

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“The Killer” Is A Remarkably Self-Aware Cinema Which Many of You Are Perceiving Wrong
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“The Killer” Is A Remarkably Self-Aware Cinema Which Many of You Are Perceiving Wrong

Rohitavra Majumdar November 17, 2023

Read More “The Killer” Is A Remarkably Self-Aware Cinema Which Many of You Are Perceiving WrongContinue

A Journey of Letting Go in Soumyak Kanti DeBiswas’ ‘The Daughter’
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A Journey of Letting Go in Soumyak Kanti DeBiswas’ ‘The Daughter’

Shivani Muralikrishna August 21, 2024

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Magical Realism, Family and the Big Screen: Lessons from Two Great Movies
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Magical Realism, Family and the Big Screen: Lessons from Two Great Movies

Joséphine des Aulnois October 31, 2023

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Uncovering Character Perspectives in ‘Little Black Book’ (2004)
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Uncovering Character Perspectives in ‘Little Black Book’ (2004)

Jessica Balio October 30, 2023

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The Unfortunate Collapse of Christoph Waltz’s Film Career 
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The Unfortunate Collapse of Christoph Waltz’s Film Career 

Ritesh Sharma August 20, 2024

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Why “The Batman – Part II” is going to be magnificent?
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Why “The Batman – Part II” is going to be magnificent?

Richard Schertzer October 15, 2023

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The Coast of Winding Clouds And The Cinema of Rain: Nagraj Manjule’s ‘Pavsacha Nibandh’
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The Coast of Winding Clouds And The Cinema of Rain: Nagraj Manjule’s ‘Pavsacha Nibandh’

Pritha Banerjee October 13, 2023

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Journeys through the Mist: A Brief Analysis of Theo Angelopoulos’ Landscape in the Mist (1988)
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Journeys through the Mist: A Brief Analysis of Theo Angelopoulos’ Landscape in the Mist (1988)

Balachandran Chirammal October 10, 2023

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  • Film Festivals
    • Cannes
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