The Last Frontier Is Us: What ‘Eddington’ and ‘One Battle After Another’ Say about Survival in the Current Global Order
Column Beyond Statistics: How Ray’s ‘Ashani Sanket’ Resurrects the 1943 Bengal Famine Sumedha Chatterjee August 31, 2025
Column The Optical Residue of a Nation: Fragments from Route One USA (1989) Pulkit Sharma August 30, 2025
Column How Spike Jonze’s ‘Her’ and Sofia Coppola’s ‘Lost in Translation’ Turned Loneliness Into Cinema Sumedha Chatterjee August 30, 2025
Column High Notes and Low Notes: How ‘Highest 2 Lowest’ Honors Generations of Black Music Aja Haymore August 28, 2025
Column Guru Dutt’s Bombay Noir and Anguish Regarding the Emergent Urbanity Damayanti Ghosh August 25, 2025
Column Long Story Short: Jewish Identity, Pandemic, and the Frame of Grief in Netflix Animated Comedy Naveed Zahir August 23, 2025
Column Fractured Mirrors: Andrei Tarkovsky’s ‘Mirror’ (1975) Through a Lacanian Lens in Post-COVID Times Ishani Routh September 16, 2025
