A Tribute To Robert Redford: An Icon Of Decency, Compassion, and Service Who Offered An Optimistic Future for Hollywood
Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak”
Column Fractured Mirrors: Andrei Tarkovsky’s ‘Mirror’ (1975) Through a Lacanian Lens in Post-COVID Times Ishani Routh September 16, 2025
Column Emancipation and Labour: An Existentialist Analysis of ‘Mrs.’ (2023) as a Tale of Labour Exploitation Santosh Kumar Mamgain August 31, 2025
Column Understanding the Post-Partition Riverscape of Padma in Ghatak’s ‘Komal Gandhar’ (1961) Keshab Ray September 5, 2025
Column The Art, the Artist, and the Astaire: How ‘The Band Wagon’ (1953) Deconstructs Cinema’s Greatest Dancer Jack Keating September 8, 2025
Column Caste Was Never Part of My Story Until It Was: Featuring ‘Dhadak 2’ (2025) Sneha Roy August 30, 2025
Column Girls Just Like to Swing! My Observations and Reflections on Mira Nair’s ‘India Cabaret’ Nayan Jain August 28, 2025
Column The Real Rage Virus: 28 Years Later and Dreams of Nationalist Nostalgia Dan Flattery August 28, 2025
Column Weapons of the American Dream: How Zach Cregger’s Weapons (2025) Reflects Today’s Reality Deepshikha Deb August 24, 2025
Column From Muddy Skirts to Clenched Hands: 20 Years of ‘Pride & Prejudice’ (2005) Sree August 16, 2025
