The Last Frontier Is Us: What ‘Eddington’ and ‘One Battle After Another’ Say about Survival in the Current Global Order
Column Talking Through Privilege: The Whit Stillman Trilogy and the Art of Gentle Disillusionment Talha Younas July 3, 2025
Column The Face of Resistance: Sreemoyee Singh’s ‘And, Towards Happy Alleys’ (2023) is a Tribute to Jafar Panahi Arghya Dattagupta June 25, 2025
Column Rabid Cities, Abandoned Souls: ‘Black Dog’ (2024) as a Mirror to Modern China Abhay Yadav June 30, 2025
Column Memory as Resistance: How ‘Hirak Rajar Deshe’ and ‘Chorus’ Speak for the Silenced Ishani Routh June 17, 2025
Column When Grief Haunts More than Ghosts: Exploring Loss in ‘The Devil’s Backbone,’ ‘The Three Burials of Melquiades Estrada,’ & ‘Don’t Look Now’ Ajay Rahul Raja June 17, 2025
Column Can HOPE Survive Between TWO INDIAS? Karan Tejpal’s ‘Stolen’ Brilliantly Attempts To Find Out Ayan Dawn June 15, 2025
Column Characterising the Space: The Cinematic Space as the Protagonist in ‘Laila Aur Satt Geet’ (2020) Sahil June 20, 2025
