Love in the Ruins of Paradise: How “Pathey Holo Deri” Turns Melodrama Into a Study of Desire and Selfhood
Springing Toward An Uncertain Future: How ‘The Devil Wears Prada 2’ Portrays The Digital Age And Its Effects on the Labor Crisis
Revisiting ‘Manichitrathazhu’ (1993): Caste, Psychiatry, and the Cultural Blind Spots of a Malayalam Classic
Column Changing Terrain of Cinema from India and Achal Mishra’s ‘Gamak Ghar’ Anand Subhash Borse July 25, 2025
Column Guru Dutt at 100: The Enduring Legacy of ‘Pyaasa’ and ‘Kaagaz Ke Phool’ Srilekha Mitra July 14, 2025
Column The Conflict of Reason and Ruin: A Marxist-Psychoanalytic Reading of Ritwik Ghatak’s ‘Jukti Takko Aar Gappo’ Through an Absurdist Lens Ishani Routh July 17, 2025
Column The Stars of Aamir Khan: A Comparative Reflection on ‘Taare Zameen Par’ and ‘Sitaare Zameen Par’ Kalpa Jyoti Bhuyan July 10, 2025
