Love in the Ruins of Paradise: How “Pathey Holo Deri” Turns Melodrama Into a Study of Desire and Selfhood
Springing Toward An Uncertain Future: How ‘The Devil Wears Prada 2’ Portrays The Digital Age And Its Effects on the Labor Crisis
Revisiting ‘Manichitrathazhu’ (1993): Caste, Psychiatry, and the Cultural Blind Spots of a Malayalam Classic
Column Journeys through the Mist: A Brief Analysis of Theo Angelopoulos’ Landscape in the Mist (1988) Balachandran Chirammal October 10, 2023
Column From Provoking Anger to Evoking Nationalism: The Alarming Evolution of Propaganda Films In Bollywood in the Past Few Years Aryan Vyas October 4, 2023
Column The Little Grey Cells On Screen: Hercule Poirot and Cinema Joséphine des Aulnois October 2, 2023
Column The Rainbow Shades in ‘Guns and Gulaabs’: A Critique on the Show’s Representation of Queer Identity Sanjib Kalita September 29, 2023
Column Salma Hayek’s Feminist Activism in Kahlil Gibran’s The Prophet (2014) Hisham Muhammad Ali September 29, 2023
Column 11 Social Setbacks Presented in “Skip and Loafer” And Ways to Deal With Them Jessica Balio September 21, 2023
