Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 14, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 14, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 14, 2025
Featured · Film Festivals · Review The Things You Kill (2025) Movie Review: A Surreal Deconstruction of the Fight or Flight Response of a Broken Man Akash Deshpande October 14, 2025October 14, 2025
Featured · Film Festivals · Review Pillion (2025) ‘FNC’ Movie Review: Harry Lighton’s Eternally Sincere Debut Explores BDSM Kinks with Disarming Tenderness Julian Malandruccolo October 12, 2025October 12, 2025
Featured · Film Festivals · Review · Vancouver International Film Festival Akashi (2025) ‘VIFF’ Movie Review: A Sentimental, Intergenerational Tale of Love and Longing Akash Deshpande October 9, 2025October 13, 2025
ReviewSilent Hill (2006) Movie Review: In the Ashes of Faith and FearOctober 15, 2025 Sebastian Sommer
Featured · ReviewPeacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s Tragicomedy about a Rent-A-Friend Employee Analyzes the Depths of Human ExperienceOctober 15, 2025 Akash Deshpande
Featured · ReviewBugonia (2025) Movie Review: An Acidic Enraged Look at Dehumanization with Ruthless Black ComedyOctober 15, 2025 Liam Gaughan
Peacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s Tragicomedy about a Rent-A-Friend Employee Analyzes the Depths of Human Experience
Christy (2025) Movie Review: An Overlong By-The-Numbers Boxing Biopic Elevated by a Great Performance
Film Festivals · Review Diplodocus (2024) ‘Annecy’ Movie Review: Charming Riff on Archetype Thrives in Simplicity Debanjan Dhar June 19, 2024
Film Festivals · Review · Tribeca Restless (2024) ‘Tribeca’ Movie Review: Lyndsey Marshal’s Breathtaking Performance Drives This Nail-Biting Drama about an Empty Nester Akash Deshpande March 2, 2025
Review The Watchers (2024) Movie Review: Folk Horror Never Fulfills the Promise of Intriguing Premise Megan Fisher March 2, 2025
Review Ghostlight (2024) Movie Review: A cathartic, deeply moving portrait of art’s power to heal Shikhar Verma March 2, 2025
Film Festivals · Review Living Large (2024) ‘Annecy’ Movie Review: A Well-Meaning, Sensitive Film that Explores the Complex Nature of Obesity Akash Deshpande March 2, 2025
Film Festivals · Review Darkest Miriam (2024) ‘Tribeca’ Movie Review: A Gloomy, Poetic Blend of Mystery and Romance Akash Deshpande March 2, 2025
Review A Simple Life (2011) Movie Review: A Tender Drama Full of Empathy Aneesh Raikundalia June 19, 2024
Film Festivals · Review Griffin in Summer (2024) ‘Tribeca’ Movie Review: A Theater Geek’s Charming Coming-of-Age Journey that Sensibly Explores Love, Heartbreak, and Sexual Awakening Akash Deshpande March 2, 2025
Film Festivals · Review Linda Perry: Let It Die Here (2024) ‘Tribeca’ Movie Review: Extraordinarily Frank and Touching Reflection on Pain and Resilience Debanjan Dhar March 2, 2025
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