Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 14, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 14, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 14, 2025
Featured · Film Festivals · Review The Things You Kill (2025) Movie Review: A Surreal Deconstruction of the Fight or Flight Response of a Broken Man Akash Deshpande October 14, 2025October 14, 2025
Featured · Film Festivals · Review Pillion (2025) ‘FNC’ Movie Review: Harry Lighton’s Eternally Sincere Debut Explores BDSM Kinks with Disarming Tenderness Julian Malandruccolo October 12, 2025October 12, 2025
Featured · Film Festivals · Review · Vancouver International Film Festival Akashi (2025) ‘VIFF’ Movie Review: A Sentimental, Intergenerational Tale of Love and Longing Akash Deshpande October 9, 2025October 13, 2025
Featured · Review · Streaming Now · Zee5 GlobalBhagwat Chapter One: Raakshas (2025) Movie Review: Bland Police Procedural Rendered Watchable by Arshad Warsi and an Against-The-Type Jitendra KumarOctober 16, 2025 Amartya Acharya
ReviewSilent Hill (2006) Movie Review: In the Ashes of Faith and FearOctober 15, 2025 Sebastian Sommer
Featured · ReviewPeacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s Tragicomedy about a Rent-A-Friend Employee Analyzes the Depths of Human ExperienceOctober 15, 2025 Akash Deshpande
Bhagwat Chapter One: Raakshas (2025) Movie Review: Bland Police Procedural Rendered Watchable by Arshad Warsi and an Against-The-Type Jitendra Kumar
Peacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s Tragicomedy about a Rent-A-Friend Employee Analyzes the Depths of Human Experience
Review Review: Your Mother’s Son (2023) is a Chilling Exploration of Possessiveness Niikhiil Akhiil June 4, 2024
Film Festivals · Review Electra, Valerija (2024) ‘Vienna Shorts’ Review: Intimate Excavations Debanjan Dhar March 2, 2025
Review Summer Time Machine Blues (2005) Movie Review: A Quirky Lo-Fi Comedy with Time Travel Hijinks Aneesh Raikundalia July 15, 2024
Film Festivals · Review History is Written at Night & I Saw You Were Dancing (2024) ‘Vienna Shorts’ Review: Strange, Spirited Rambles Debanjan Dhar March 2, 2025
Film Festivals · Review Empty Nets (2023) ‘MIFF’ Movie Review: Caught in the Net of Despotism Thomas Gladstone March 2, 2025
Film Festivals · Review Strangers Like Us, The Singers (2024) ‘Vienna Shorts’ Review: Startling Segues Debanjan Dhar June 3, 2024
Review The Empire (2024) Movie Review: Bruno Dumont’s High-Budget Scary Movie Beatrice Gangi June 6, 2024
Film Festivals · Review In Camera (2023) ‘MIFF’ Movie Review: An Actor’s Dream Turns into a Twisted Nightmare Thomas Gladstone June 6, 2024
MUBI · Review · Streaming Now Gasoline Rainbow (2024) Movie Review: Scrappy, Peculiarly Wavering Portrait of Drifters Debanjan Dhar March 2, 2025
High On Films
