Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 29, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · Review Love Me Tender (2025) ‘Cinemania’ Movie Review: Quiet Resilience in the Face of Queer Parental Persecution Julian Malandruccolo November 10, 2025November 10, 2025
Featured · Film Festivals · Review A Magnificent Life (Marcel et Monsieur Pagnol, 2025) ‘Cinemania’ Movie Review: Textured Animation Lends Depth to a Hastily Sketched Portrait of a French Icon Julian Malandruccolo November 9, 2025November 10, 2025
Film Festivals · Review The World Of Love (Segyeui Ju-in, 2025) ‘LFF’ Movie Review: Yoon Ga-eun’s Exceptional Film Encourages Us To Be the Masters of Our Own Worlds Freddie Kay October 28, 2025October 29, 2025
BFI London Film Festival · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025October 29, 2025
Film Festivals · Review The Last One for the Road (Le città di pianura, 2025) ‘FNC’ Movie Review: A Light Cruise Across the Italian Plains Julian Malandruccolo October 19, 2025October 29, 2025
Film Festivals · Review La Grazia (2025) ‘FNC’ Movie Review: Paolo Sorrentino’s Self-Consciously Moderate Plea for Mercy Julian Malandruccolo October 17, 2025October 29, 2025
Featured · ReviewCome See Me in the Good Light (2025) Documentary Review: The soul-crushing numbness of existence explored through a disarming candidnessNovember 11, 2025 Akash Deshpande
Featured · ReviewBull Run (2025) Movie Review: A Derivative and Vapid Financial Comedy that Suffers From a Heavy Dose of Adam McKay HangoverNovember 11, 2025 Akash Deshpande
Featured · ReviewBaby Driver (2017) Movie Review: Style Overwhelms and Enhances a Mostly Homage-Heavy SubstanceNovember 10, 2025 Amartya Acharya
Come See Me in the Good Light (2025) Documentary Review: The soul-crushing numbness of existence explored through a disarming candidness
Bull Run (2025) Movie Review: A Derivative and Vapid Financial Comedy that Suffers From a Heavy Dose of Adam McKay Hangover
Songs of Forgotten Trees (2025) Movie Review: The Hollow Echoes of Female Friendships, Spaces, Childhoods, and Desires.
Netflix · Review · Streaming Now Beverly Hills Cop: Axel F (2024) Movie Review: Breezy, Undemanding Sequel Chugs By Inoffensively Debanjan Dhar March 2, 2025
Film Festivals · Review Hema, Ade (On a Sunday), Lori (Melancholy of my mother’s lullabies) ‘IFFLA 2024’ Shorts Reviews Debanjan Dhar July 3, 2024
Review Mother, Couch (2024) Movie Review: Half-Realized Surreal Drama is Too Indulgent to Truly Confound Debanjan Dhar January 13, 2025
Review Sound of Hope: The Story of Possum Trot (2024) Movie Review: Sincere faith-based drama often slips into conventionality and manipulation Shikhar Verma July 6, 2024
Film Festivals · Review The Village Next to Paradise (2024) “KVIFF” Movie Review: Dreams in the Dust and Resilience in the Face of Hardship Niikhiil Akhiil July 1, 2024
Film Festivals · Review A House Named Shahana (2024) ‘IFFLA’ Movie Review: A Revelatory Aanon Siddiqua Grounds Leesa Gazi’s Earnest, Emboldening Film Debanjan Dhar March 2, 2025
Netflix · Review · Streaming Now A Family Affair (2024) Movie Review: Netflix’s new rom-com offers some genuine chuckles while telling a tale about our fear of commitment Shikhar Verma March 2, 2025
Review Dear Jassi (2024) ‘IFFLA’ Movie Review: Tarsem Singh’s Austere, Chilling Film Centres Love Ripped Apart By Class Debanjan Dhar June 27, 2024
Review Kalki 2898 AD (2024) Movie Review: A Visual Effects Extravaganza and World-Building Exercise Pays Off in Dividends, Masking Some of Its Flaws Amartya Acharya March 2, 2025
High On Films
