Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 29, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · Review · Rotterdam Tell Me What You Feel (2026) ‘IFFR’ Movie Review: A Soul-Baring Jan Sałasiński Anchors Secrets Underpinning Intimacies Debanjan Dhar February 4, 2026February 4, 2026
Featured · Film Festivals · Review · Rotterdam A Fading Man (2026) ‘IFFR’ Movie Review: A Wistful, Wise Drama that Scans Relationships In Flux Debanjan Dhar February 3, 2026February 4, 2026
Featured · Film Festivals · Review · Sundance Josephine (2026) ‘Sundance’ Movie Review: A Nerve-Wracking Moral Tale of Trauma, Refracted Through a Young Girl’s Perspective Akash Deshpande February 1, 2026February 1, 2026
Featured · Film Festivals · Review · Sundance Hot Water (2026) ‘Sundance’ Movie Review: An Occasionally Charming, but Exasperatingly Familiar Road Trip Dramedy Liam Gaughan February 1, 2026February 1, 2026
Featured · Film Festivals · Review · Sundance Ha-Chan, Shake Your Booty! (2026) ‘Sundance’ Movie Review: A Fully-Formed, Vibrant Character Study Anchored by a Revelatory Rinko Kikuchi Performance Liam Gaughan February 1, 2026February 1, 2026
Featured · Film Festivals · Review Conrad & Crab – Idiotic Gems (2026) ‘IFFR’ Movie Review: An Irreverent Whodunit that Doubles as a Cosy Hangout Film about Two Ageing Detectives Akash Deshpande February 1, 2026January 18, 2026
ReviewIsle of Dogs (2018) Movie Review: Exile, Loyalty and the Quiet Politics of Belonging February 5, 2026 Bipasha Bhattacharyya
Explainer · ReviewFrontier Crucible (2026) Movie Review & Ending Explained: Do The Outlaws Trump Merrick?February 5, 2026 Debanjan Dhar
Good Luck, Have Fun, Don’t Die (2026) Movie Review: A Farcical Cautionary Romp Drowning in Tediously Simplistic Observations
Review Bougainvillea (2024) Movie Review: Impeccable Attention to Detail Elevates a Weak, Predictable Story Quiz March 2, 2025
Film Festivals · Review Maria (2024) ‘Philadelphia Film Festival’ Movie Review: Angelina Jolie Gives Career Best Performance in Immersive Musician Biopic Liam Gaughan March 2, 2025
Film Festivals · Review September 5 (2024) ‘Philadelphia Film Festival’ Movie Review: A Claustrophobic Historical Thriller Spotlights Groundbreaking Journalism Liam Gaughan March 2, 2025
Review The Peasants (2023) Movie Review: A Captivating Portrait In Motion Of A Young Girl Victim To Destructive Traditionalism Edgar Batres March 2, 2025
Review We Live in Time (2024) Movie Review: A Romantic Drama that Builds Rich Context out of its Artistic Flourishes and Magnificent Performances Aryan Vyas March 2, 2025
Review Conclave (2024) Movie Review: Edward Berger’s Crisis of Tone Translates Well Into a Crisis of Faith Julian Malandruccolo March 2, 2025
Film Festivals · Review Eternal Visionary (Eterno visionario, 2024) ‘Rome Film Festival’ Movie Review: Pirandello Biopic is Occasionally Forceful and Half-Cohesive Debanjan Dhar March 2, 2025
Film Festivals · MAMI · Review Pooja, Sir (2024) ‘MAMI’ Movie Review: An Efficient Police Procedural that Works Better as a Sociopolitical Commentary Amartya Acharya March 2, 2025
High On Films
