Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 29, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · Review Love Me Tender (2025) ‘Cinemania’ Movie Review: Quiet Resilience in the Face of Queer Parental Persecution Julian Malandruccolo November 10, 2025November 11, 2025
Featured · Film Festivals · Review A Magnificent Life (Marcel et Monsieur Pagnol, 2025) ‘Cinemania’ Movie Review: Textured Animation Lends Depth to a Hastily Sketched Portrait of a French Icon Julian Malandruccolo November 9, 2025November 10, 2025
Film Festivals · Review The World Of Love (Segyeui Ju-in, 2025) ‘LFF’ Movie Review: Yoon Ga-eun’s Exceptional Film Encourages Us To Be the Masters of Our Own Worlds Freddie Kay October 28, 2025October 29, 2025
BFI London Film Festival · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025October 29, 2025
Film Festivals · Review The Last One for the Road (Le città di pianura, 2025) ‘FNC’ Movie Review: A Light Cruise Across the Italian Plains Julian Malandruccolo October 19, 2025October 29, 2025
Film Festivals · Review La Grazia (2025) ‘FNC’ Movie Review: Paolo Sorrentino’s Self-Consciously Moderate Plea for Mercy Julian Malandruccolo October 17, 2025October 29, 2025
Featured · ReviewCome See Me in the Good Light (2025) Documentary Review: The Soul-Crushing Numbness of Existence Explored Through a Disarming CandidnessNovember 11, 2025 Akash Deshpande
Featured · ReviewBull Run (2025) Movie Review: A Derivative and Vapid Financial Comedy that Suffers From a Heavy Dose of Adam McKay HangoverNovember 11, 2025 Akash Deshpande
Featured · ReviewBaby Driver (2017) Movie Review: Style Overwhelms and Enhances a Mostly Homage-Heavy SubstanceNovember 10, 2025 Amartya Acharya
Come See Me in the Good Light (2025) Documentary Review: The Soul-Crushing Numbness of Existence Explored Through a Disarming Candidness
Bull Run (2025) Movie Review: A Derivative and Vapid Financial Comedy that Suffers From a Heavy Dose of Adam McKay Hangover
Songs of Forgotten Trees (2025) Movie Review: The Hollow Echoes of Female Friendships, Spaces, Childhoods, and Desires
Film Festivals · Review Pavilion 6 (2024) ‘Sheffield DocFest’ Movie Review: Vivid Snapshots of Pandemic Anxieties Debanjan Dhar March 2, 2025
Disney+ · Review · Streaming Now Inside Out (2015) Movie Review: “Feelings Can Creep Up Just Like That” Amritt Rukhaiyaar September 7, 2024
Review ME (2024) Short Film Review: 22 Minutes is All Don Hertzfeldt Needs to Map Out His Next Evolutionary Phase Julian Malandruccolo March 2, 2025
Review Inside Out 2 (2024) Movie Review: Emotions Come of Age in this Worthy Pixar Sequel Aryan Vyas March 2, 2025
Max · Review · Streaming Now The Great Lillian Hall (2024) Movie Review: A Retrospective Melodrama that Contemplates Fame, Fate, and Mortality Akash Deshpande March 2, 2025
Review Athhoi (2024) Movie Review: Over-Directed, Over-Stylized and Over-Acted, But Lacking in Specificity and Meaningful Substance Amartya Acharya June 19, 2024
Review Sight (2024) Movie Review: An uninspiring faith-based story about an inspiring personality Shikhar Verma March 2, 2025
Review My Father is Afraid of Water (2023) Short Film Review: A Beautiful Ode to the Ailing Fathers and the Journey to Help Them Pramila Tripathi March 2, 2025
Film Festivals · Review Into the Wonderwoods (2024) ‘Annecy’ Movie Review: Exuberantly Infuses A Child’s Imaginative Journey with an Eco-Consciousness Debanjan Dhar March 2, 2025
High On Films
