Featured · Films This Week · Review Dhadak 2 (2025) Movie Review: An adaptation that doesn’t water down caste-based discrimination in favour of telling a love story Shikhar Verma August 7, 2025
Films This Week · Review Omniscient Reader: The Prophecy (2025) Movie Review: An uninspired and self-indulgent mess that fails to carve an identity of its own Shikhar Verma August 13, 2025
Films This Week · Review Saiyaara (2025) Movie Review: A Somewhat Sincere Love Ballad Peppered With Familiar Mohit Suri-Isms Shikhar Verma July 24, 2025
Featured · Film Festivals · Locarno · Review Hair, Paper, Water… (Tóc, Giáy Và Nuóc, 2025) ‘Locarno’ Movie Review: Wondrously Porous Distillation of Language-Memory Debanjan Dhar August 14, 2025August 15, 2025
Featured · Film Festivals · Locarno · Review The Fin (2025) ‘Locarno’ Movie Review: Investigating the Nature of Devotion, Indoctrination, and Survival Through a Dystopian Mirror Akash Deshpande August 14, 2025August 14, 2025
Featured · Film Festivals · Locarno · Review Desire Lines (Linije zelje, 2025) ‘Locarno’ Movie Review: Dane Komljen Conjures an Enchanted Osmosis of Borderless-ness Debanjan Dhar August 12, 2025August 13, 2025
Featured · Film Festivals · Locarno · Review Solomamma (2025) ‘Locarno’ Movie Review: Lisa Loven Kongsli and Herbert Nordrum Make a Winsome Duo in Richly Conflicting Maternal Drama Debanjan Dhar August 11, 2025August 13, 2025
Featured · Film Festivals · Locarno · Review Legend of the Happy Worker (2025) ‘Locarno’ Movie Review: A Preachy, Mawkish, and Inconsistent Fable that Feels Like a Misfire Akash Deshpande August 9, 2025August 9, 2025
Featured · Film Festivals · Locarno · Review God Will Not Help (2025) ‘Locarno’ Movie Review: Bristling Study of Gendered Power Thrives in Gaps Debanjan Dhar August 9, 2025August 14, 2025
Featured · ReviewCoolie (2025) Movie Review: Lokesh Kanagaraj’s Love Letter to Rajnikanth Wants to be ‘Vikram’ But Settles for an Inferior Version of ‘Jailer’August 15, 2025 Amartya Acharya
Featured · Review · Streaming Now · Zee5 GlobalTehran (2025) ‘Zee5 Global’ Review: Mildly Engaging, with Questionable Geopolitical OvertonesAugust 14, 2025 Suvo Pyne
Featured · Film Festivals · Locarno · ReviewHair, Paper, Water… (Tóc, Giáy Và Nuóc, 2025) ‘Locarno’ Movie Review: Wondrously Porous Distillation of Language-MemoryAugust 14, 2025 Debanjan Dhar
Coolie (2025) Movie Review: Lokesh Kanagaraj’s Love Letter to Rajnikanth Wants to be ‘Vikram’ But Settles for an Inferior Version of ‘Jailer’
Hair, Paper, Water… (Tóc, Giáy Và Nuóc, 2025) ‘Locarno’ Movie Review: Wondrously Porous Distillation of Language-Memory
The Fin (2025) ‘Locarno’ Movie Review: Investigating the Nature of Devotion, Indoctrination, and Survival Through a Dystopian Mirror
Berlinale · Film Festivals · Review My New Friends (2024) ‘Berlinale’ Movie Review: An Underwhelming Drama that Speaks about Solidarity for the Marginalized Akash Deshpande February 27, 2024
Films This Week · Review Dune: Part Two (2024) Movie Review: A Seismic Conclusion Leaving Its Best Answers Still in the Distance Julian Malandruccolo March 2, 2025
Netflix · Review · Streaming Now Double XL (2022) Movie Review: A Journey of Self-Discovery and a Story of Acceptance Dr. Aparna Ajith February 26, 2024
Berlinale · Film Festivals · Review Filmstunde_23 (2024) ‘Berlinale’ Movie Review: A Fascinating Documentary about the Illuminating Nature of Filmmaking Akash Deshpande February 26, 2024
Films This Week · Review Drive-Away Dolls (2024) Movie Review: A Cute Detour Just Begging for a Coen Brothers Reunion Julian Malandruccolo March 2, 2025
Review Okie (2024) Movie Review: A Mean-Spirited and Tonally Inconsistent First Feature Thomas Gladstone February 27, 2024
Berlinale · Film Festivals · Review Who Do I Belong To (2024) ‘Berlinale’ Movie Review: Ghosts of Radicalization in a Film With Much to Juggle Julian Malandruccolo March 2, 2025
Berlinale · Film Festivals · Review My Summer with Irene (2024) ‘Berlinale’ Movie Review: Carlo Sironi’s Film Ambles with a Still, Coolly Muted Charge Debanjan Dhar February 28, 2024
Berlinale · Film Festivals · Review The Editorial Office (2024) ‘Berlinale’ Movie Review: Roman Bondarchuk’s Formidable, Grim Odyssey Through Pre-War Ukraine Debanjan Dhar February 21, 2024
High On Films
