Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 29, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · Review Love Me Tender (2025) ‘Cinemania’ Movie Review: Quiet Resilience in the Face of Queer Parental Persecution Julian Malandruccolo November 10, 2025November 11, 2025
Featured · Film Festivals · Review A Magnificent Life (Marcel et Monsieur Pagnol, 2025) ‘Cinemania’ Movie Review: Textured Animation Lends Depth to a Hastily Sketched Portrait of a French Icon Julian Malandruccolo November 9, 2025November 10, 2025
Film Festivals · Review The World Of Love (Segyeui Ju-in, 2025) ‘LFF’ Movie Review: Yoon Ga-eun’s Exceptional Film Encourages Us To Be the Masters of Our Own Worlds Freddie Kay October 28, 2025October 29, 2025
BFI London Film Festival · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025October 29, 2025
Film Festivals · Review The Last One for the Road (Le città di pianura, 2025) ‘FNC’ Movie Review: A Light Cruise Across the Italian Plains Julian Malandruccolo October 19, 2025October 29, 2025
Film Festivals · Review La Grazia (2025) ‘FNC’ Movie Review: Paolo Sorrentino’s Self-Consciously Moderate Plea for Mercy Julian Malandruccolo October 17, 2025October 29, 2025
Featured · ReviewCome See Me in the Good Light (2025) Documentary Review: The Soul-Crushing Numbness of Existence Explored Through a Disarming CandidnessNovember 11, 2025 Akash Deshpande
Featured · ReviewBull Run (2025) Movie Review: A Derivative and Vapid Financial Comedy that Suffers From a Heavy Dose of Adam McKay HangoverNovember 11, 2025 Akash Deshpande
Featured · ReviewBaby Driver (2017) Movie Review: Style Overwhelms and Enhances a Mostly Homage-Heavy SubstanceNovember 10, 2025 Amartya Acharya
Come See Me in the Good Light (2025) Documentary Review: The Soul-Crushing Numbness of Existence Explored Through a Disarming Candidness
Bull Run (2025) Movie Review: A Derivative and Vapid Financial Comedy that Suffers From a Heavy Dose of Adam McKay Hangover
Songs of Forgotten Trees (2025) Movie Review: The Hollow Echoes of Female Friendships, Spaces, Childhoods, and Desires
Review She’s Clean (2024) ‘Short Film’ Review: Finding the Mundane in Eroticism Suvo Pyne March 2, 2025
Review A Million Minutes (Eine Million Minuten, 2024) Movie Review: An Endearing Drama about A Family’s Journey of Self-Discovery Akash Deshpande March 2, 2025
Review Munjya (2024) Movie Review: Intriguing but Shallow Horror-Comedy Let Down by Baffling Filmmaking Choices Amartya Acharya January 13, 2025
Film Festivals · Review Group Therapy (2024) ‘Tribeca’ Movie Review: Deeply Touching Uncorking of Shared Pain Debanjan Dhar March 2, 2025
Netflix · Review · Streaming Now Hit Man (2024) ‘Netflix’ Movie Review: A Riveting, Richly Layered Crime Comedy with Glen Powell’s Commanding Screen Presence Akash Deshpande March 2, 2025
Netflix · Review · Streaming Now Basma (2024) ‘Netflix’ Movie Review: A Heartfelt & Evocative Drama Powered by Fatima AlBanawi’s Sensible Direction Akash Deshpande March 2, 2025
Netflix · Review · Streaming Now How to Rob a Bank (2024) ‘Netflix’ Documentary Review: Boilerplate Netflix Doc That Manages to Stand Out for the Storyboarded Recreations Amartya Acharya March 2, 2025
Review Review: Your Mother’s Son (2023) is a Chilling Exploration of Possessiveness Niikhiil Akhiil June 4, 2024
Film Festivals · Review Electra, Valerija (2024) ‘Vienna Shorts’ Review: Intimate Excavations Debanjan Dhar March 2, 2025
High On Films
