Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 29, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · Review Love Me Tender (2025) ‘Cinemania’ Movie Review: Quiet Resilience in the Face of Queer Parental Persecution Julian Malandruccolo November 10, 2025November 11, 2025
Featured · Film Festivals · Review A Magnificent Life (Marcel et Monsieur Pagnol, 2025) ‘Cinemania’ Movie Review: Textured Animation Lends Depth to a Hastily Sketched Portrait of a French Icon Julian Malandruccolo November 9, 2025November 10, 2025
Film Festivals · Review The World Of Love (Segyeui Ju-in, 2025) ‘LFF’ Movie Review: Yoon Ga-eun’s Exceptional Film Encourages Us To Be the Masters of Our Own Worlds Freddie Kay October 28, 2025October 29, 2025
BFI London Film Festival · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025October 29, 2025
Film Festivals · Review The Last One for the Road (Le città di pianura, 2025) ‘FNC’ Movie Review: A Light Cruise Across the Italian Plains Julian Malandruccolo October 19, 2025October 29, 2025
Film Festivals · Review La Grazia (2025) ‘FNC’ Movie Review: Paolo Sorrentino’s Self-Consciously Moderate Plea for Mercy Julian Malandruccolo October 17, 2025October 29, 2025
Featured · ReviewCome See Me in the Good Light (2025) Documentary Review: The Soul-Crushing Numbness of Existence Explored Through a Disarming CandidnessNovember 11, 2025 Akash Deshpande
Featured · ReviewBull Run (2025) Movie Review: A Derivative and Vapid Financial Comedy that Suffers From a Heavy Dose of Adam McKay HangoverNovember 11, 2025 Akash Deshpande
Featured · ReviewBaby Driver (2017) Movie Review: Style Overwhelms and Enhances a Mostly Homage-Heavy SubstanceNovember 10, 2025 Amartya Acharya
Come See Me in the Good Light (2025) Documentary Review: The Soul-Crushing Numbness of Existence Explored Through a Disarming Candidness
Bull Run (2025) Movie Review: A Derivative and Vapid Financial Comedy that Suffers From a Heavy Dose of Adam McKay Hangover
Songs of Forgotten Trees (2025) Movie Review: The Hollow Echoes of Female Friendships, Spaces, Childhoods, and Desires
Film Festivals · Review Behind the Mountains (2023) ‘MIFF’ Movie Review: An Idiosyncratic Project That’s Perfect for the Festivals Thomas Gladstone March 2, 2025
Review Back to Black (2024) Movie Review: Amy Winehouse’s Complicated Life Packaged in a Soulless, Conventional Biopic Akash Deshpande March 2, 2025
Film Festivals · Review Full Night, Constructing an Island (2024) ‘Vienna Shorts’ Reviews: Unravelling the Past Debanjan Dhar May 29, 2024
Review Backspot (2024) Movie Review: An Empathetic Portrait of A Teenage Athlete Grappling with Identity Crisis Akash Deshpande March 2, 2025
Cannes · Film Festivals · Review Viet and Nam (2024) ‘Cannes’ Movie Review: Trương Minh Quý Triumphs with his Surrealistic and Absorbing Piece of Art Niikhiil Akhiil March 2, 2025
Review · VOD The Manifestation (2024) Movie Review: Inconsistent psychological thriller dives into the addictive nature of greed Shikhar Verma May 26, 2024
Cannes · Film Festivals · Review All We Imagine As Light (2024) ‘Cannes’ Movie Review: Kani Kusruti and Divya Prabha are an Unforgettable Duo in Payal Kapadia’s Shimmering, Seductive, Masterful Ode to Mumbai Debanjan Dhar March 2, 2025
Cannes · Film Festivals · Review Sauna Day, The Man Who Could Not Remain Silent (2024) ‘Cannes’ Movie Review: Sampling the Shorts Selection Debanjan Dhar May 26, 2024
Netflix · Review · Streaming Now Atlas (2024) Movie Review: Jennifer Lopez wails her way through AI and mommy issues in rudimentary made-for-streaming trash Shikhar Verma March 2, 2025
High On Films
