Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 9, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · Review Akashi (2025) ‘VIFF’ Movie Review: A Sentimental, Intergenerational Tale of Love and Longing Akash Deshpande October 9, 2025October 9, 2025
Featured · Film Festivals · Review · TIFF Karmadonna (2025) ‘TIFF’ Movie Review: The Writer of ‘A Serbian Film’ Returns with a Bombastic Celebration of Hedonistic Excess Nikola Jovic October 8, 2025October 9, 2025
Featured · Film Festivals · NYFF · Review Jay Kelly (2025) ‘NYFF’ Movie Review: The Mirror Cracks in Hollywood’s Face – Noah Baumbach’s Latest is about the Fragility of Fame Aryan Vyas October 5, 2025October 10, 2025
BFI London Film Festival · Featured · Film Festivals · Review DJ Ahmet (2025) ‘BFI London Film Festival’ Movie Review: This North Macedonian Coming-of-Age Comedy is a Barrel of Laughs Jordon Searle October 3, 2025October 7, 2025
Featured · Film Festivals · NYFF · Review Nouvelle Vague (2025) ‘NYFF’ Movie Review: A Playful, Irreverent Hangout Film Aimed At Cinephiles Liam Gaughan October 2, 2025October 3, 2025
BFI London Film Festival · Film Festivals · Review Enzo (2025) ‘BFI London Film Festival’ Movie Review: Muddled French Drama Pulled in Too Many Directions Jordon Searle October 2, 2025October 3, 2025
Featured · Netflix · Review · Streaming NowThe Woman in Cabin 10 (2025) Movie Review: A By-the-Numbers, Suitably Twisty Agatha Christie PasticheOctober 11, 2025 Liam Gaughan
Featured · ReviewRoofman (2025) Movie Review: A Bleak Romantic-Comedy Merged With An Idiosyncratic Crime DramaOctober 11, 2025 Liam Gaughan
Featured · ReviewLeft Handed Girl (2025) Movie Review: A Vibrant Screwball Comedy of Chaos, Family, and Modern Womanhood October 11, 2025 Shivam Pota
The Woman in Cabin 10 (2025) Movie Review: A By-the-Numbers, Suitably Twisty Agatha Christie Pastiche
Left Handed Girl (2025) Movie Review: A Vibrant Screwball Comedy of Chaos, Family, and Modern Womanhood
Kontinental ‘25 (2025) ‘FNC’ Movie Review: An Unusually Restrained But Expectedly Tedious Radu Jude Satire
Review The Baltimorons (2025) Movie Review: A Refreshingly Earnest and Pleasant Holiday Charmer Liam Gaughan September 1, 2025
Review Boyfighter (2025) Short Film Review: A Compassionate and Compelling Film about Fight and Fatherhood Shashwat Sisodiya September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Film Festivals · Review · Venice Film Festival Father (Otec, 2025) ‘Venice’ Movie Review: Tereza Nvotová’s Brooding Cinematic Style Drives This Emotionally Draining Drama Ripe with Moral Ambiguity Akash Deshpande September 9, 2025
Netflix · Review · Streaming Now The Thursday Murder Club (2025) Movie Review: A Cozy, Old-Fashioned Mystery That Marks A Return To Form For Chris Columbus Liam Gaughan September 9, 2025
Review Caught Stealing (2025) Movie Review: Aronofsky Defies Expectations By Keeping To Conventional Crime Thrills Julian Malandruccolo September 9, 2025
Review The Toxic Avenger (2025) Movie Review: Troma’s Radioactive Mascot Returns to Lay Waste to Good Taste Julian Malandruccolo September 9, 2025
Review Or Something (2024) Movie Review: A Refreshingly Grungey Update on the Classic ‘Before-Sunrise’ Setup about the Power of Connection Akash Deshpande September 9, 2025
Review The Roses (2025) Movie Review: An Uneven Yet Frequently Hilarious Dramedy Of Self-Serious Marital Woes Liam Gaughan September 9, 2025
High On Films
