Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 29, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · Review Mile End Kicks (2025) ‘WIFF’ Movie Review: A Disappointing Second Effort From a Promising Young Director Andrew Kidd November 12, 2025November 12, 2025
Featured · Film Festivals · Review Adam’s Sake (L’intérêt d’Adam, 2025) ‘Cinemania’ Movie Review: A Malnourished Attempt at Empathy for the Healthcare System and Its Prisoners Julian Malandruccolo November 12, 2025November 12, 2025
Featured · Film Festivals · Review Love Me Tender (2025) ‘Cinemania’ Movie Review: Quiet Resilience in the Face of Queer Parental Persecution Julian Malandruccolo November 10, 2025November 11, 2025
Featured · Film Festivals · Review A Magnificent Life (Marcel et Monsieur Pagnol, 2025) ‘Cinemania’ Movie Review: Textured Animation Lends Depth to a Hastily Sketched Portrait of a French Icon Julian Malandruccolo November 9, 2025November 10, 2025
Film Festivals · Review The World Of Love (Segyeui Ju-in, 2025) ‘LFF’ Movie Review: Yoon Ga-eun’s Exceptional Film Encourages Us To Be the Masters of Our Own Worlds Freddie Kay October 28, 2025October 29, 2025
BFI London Film Festival · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025October 29, 2025
ReviewThe Teacher (2023) Movie Review: A Profound Human Drama Set against an Inhumane BackgroundNovember 12, 2025 Ollie Wheaton
Featured · Film Festivals · ReviewMile End Kicks (2025) ‘WIFF’ Movie Review: A Disappointing Second Effort From a Promising Young DirectorNovember 12, 2025 Andrew Kidd
Featured · ReviewRosemead (2025) Movie Review: A Career-Best Lucy Liu Performance Elevates a Flat-Footed Family DramaNovember 12, 2025 Liam Gaughan
Mile End Kicks (2025) ‘WIFF’ Movie Review: A Disappointing Second Effort From a Promising Young Director
Adam’s Sake (L’intérêt d’Adam, 2025) ‘Cinemania’ Movie Review: A Malnourished Attempt at Empathy for the Healthcare System and Its Prisoners
Review The Taste of Things (2023) Movie Review: The French Art of Filming Food Joséphine des Aulnois March 1, 2024
Film Festivals · Review Naangal (2024) “IFFR” Movie Review: An Authentic Depiction of Embracing Happiness in a Cage of Dysfunctionality Niikhiil Akhiil July 5, 2024
Review Demon Slayer: Kimetsu No Yaiba – To the Hashira Training (2024) Movie Review: A Breathtaking Yet Disjointed Extravaganza Debopriyaa Dutta March 2, 2025
Berlinale · Film Festivals · Review My New Friends (2024) ‘Berlinale’ Movie Review: An Underwhelming Drama that Speaks about Solidarity for the Marginalized Akash Deshpande February 27, 2024
Films This Week · Review Dune: Part Two (2024) Movie Review: A Seismic Conclusion Leaving Its Best Answers Still in the Distance Julian Malandruccolo March 2, 2025
Netflix · Review · Streaming Now Double XL (2022) Movie Review: A Journey of Self-Discovery and a Story of Acceptance Dr. Aparna Ajith February 26, 2024
Berlinale · Film Festivals · Review Filmstunde_23 (2024) ‘Berlinale’ Movie Review: A Fascinating Documentary about the Illuminating Nature of Filmmaking Akash Deshpande February 26, 2024
Films This Week · Review Drive-Away Dolls (2024) Movie Review: A Cute Detour Just Begging for a Coen Brothers Reunion Julian Malandruccolo March 2, 2025
Review Okie (2024) Movie Review: A Mean-Spirited and Tonally Inconsistent First Feature Thomas Gladstone February 27, 2024
High On Films
