Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 29, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · Review Mile End Kicks (2025) ‘WIFF’ Movie Review: A Disappointing Second Effort From a Promising Young Director Andrew Kidd November 12, 2025November 12, 2025
Featured · Film Festivals · Review Adam’s Sake (L’intérêt d’Adam, 2025) ‘Cinemania’ Movie Review: A Malnourished Attempt at Empathy for the Healthcare System and Its Prisoners Julian Malandruccolo November 12, 2025November 12, 2025
Featured · Film Festivals · Review Love Me Tender (2025) ‘Cinemania’ Movie Review: Quiet Resilience in the Face of Queer Parental Persecution Julian Malandruccolo November 10, 2025November 11, 2025
Featured · Film Festivals · Review A Magnificent Life (Marcel et Monsieur Pagnol, 2025) ‘Cinemania’ Movie Review: Textured Animation Lends Depth to a Hastily Sketched Portrait of a French Icon Julian Malandruccolo November 9, 2025November 10, 2025
Film Festivals · Review The World Of Love (Segyeui Ju-in, 2025) ‘LFF’ Movie Review: Yoon Ga-eun’s Exceptional Film Encourages Us To Be the Masters of Our Own Worlds Freddie Kay October 28, 2025October 29, 2025
BFI London Film Festival · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025October 29, 2025
ReviewThe Teacher (2023) Movie Review: A Profound Human Drama Set against an Inhumane BackgroundNovember 12, 2025 Ollie Wheaton
Featured · Film Festivals · ReviewMile End Kicks (2025) ‘WIFF’ Movie Review: A Disappointing Second Effort From a Promising Young DirectorNovember 12, 2025 Andrew Kidd
Featured · ReviewRosemead (2025) Movie Review: A Career-Best Lucy Liu Performance Elevates a Flat-Footed Family DramaNovember 12, 2025 Liam Gaughan
Mile End Kicks (2025) ‘WIFF’ Movie Review: A Disappointing Second Effort From a Promising Young Director
Adam’s Sake (L’intérêt d’Adam, 2025) ‘Cinemania’ Movie Review: A Malnourished Attempt at Empathy for the Healthcare System and Its Prisoners
Berlinale · Film Festivals · Review Who Do I Belong To (2024) ‘Berlinale’ Movie Review: Ghosts of Radicalization in a Film With Much to Juggle Julian Malandruccolo March 2, 2025
Berlinale · Film Festivals · Review My Summer with Irene (2024) ‘Berlinale’ Movie Review: Carlo Sironi’s Film Ambles with a Still, Coolly Muted Charge Debanjan Dhar February 28, 2024
Berlinale · Film Festivals · Review The Editorial Office (2024) ‘Berlinale’ Movie Review: Roman Bondarchuk’s Formidable, Grim Odyssey Through Pre-War Ukraine Debanjan Dhar February 21, 2024
Berlinale · Film Festivals · Review Through Rocks and Clouds (2024) ‘Berlinale’ Movie Review: A Well-Intentioned Drama that Fails to Leave a Mark Akash Deshpande February 21, 2024
Berlinale · Film Festivals · Review Arcadia (2024) ‘Berlinale’ Movie Review: A Haunting Mystery that Explores the Themes of Love, Loss, and Grief Akash Deshpande March 2, 2025
Berlinale · Film Festivals · Review Reas (2024) ‘Berlinale’ Documentary Review: Lola Arias’s Film Sings Wrenchingly Debanjan Dhar March 2, 2025
Review · VOD The Shift (2024) Movie Review: A Smart Sci-Fi Concept Broken to Smithereens due to Its Inept Faith-Based Propaganda Shikhar Verma February 19, 2024
Netflix · Review · Streaming Now Einstein and the Bomb (2023) Documentary Review: Mixed Media Documentary Falters Heavily due to Low-Budget Reenactment Amartya Acharya February 17, 2024
Films This Week · Review Bramayugam (2024) Movie Review: Positioning the (Ab)Use of Power as the Root of Horror Ashwani Kumar March 2, 2025
High On Films
