Featured · Films This Week · Review Dhadak 2 (2025) Movie Review: An adaptation that doesn’t water down caste-based discrimination in favour of telling a love story Shikhar Verma August 7, 2025
Films This Week · Review Omniscient Reader: The Prophecy (2025) Movie Review: An uninspired and self-indulgent mess that fails to carve an identity of its own Shikhar Verma August 13, 2025
Films This Week · Review Saiyaara (2025) Movie Review: A Somewhat Sincere Love Ballad Peppered With Familiar Mohit Suri-Isms Shikhar Verma July 24, 2025
Featured · Film Festivals · Locarno · Review Desire Lines (Linije zelje, 2025) ‘Locarno’ Movie Review: Dane Komljen Conjures an Enchanted Osmosis of Borderless-ness Debanjan Dhar August 12, 2025August 13, 2025
Featured · Film Festivals · Locarno · Review Solomamma (2025) ‘Locarno’ Movie Review: Lisa Loven Kongsli and Herbert Nordrum Make a Winsome Duo in Richly Conflicting Maternal Drama Debanjan Dhar August 11, 2025August 13, 2025
Featured · Film Festivals · Locarno · Review Legend of the Happy Worker (2025) ‘Locarno’ Movie Review: A Preachy, Mawkish, and Inconsistent Fable that Feels Like a Misfire Akash Deshpande August 9, 2025August 9, 2025
Featured · Film Festivals · Locarno · Review God Will Not Help (2025) ‘Locarno’ Movie Review: Bristling Study of Gendered Power Thrives in Gaps Debanjan Dhar August 9, 2025August 14, 2025
Featured · Film Festivals · Locarno · Review Phantoms of July (2025) ‘Locarno’ Movie Review: Julian Radlmaier Helms a Warmly Absorbing Fable of Transcendence Debanjan Dhar August 9, 2025August 9, 2025
Fantasia · Featured · Film Festivals · Review Foreigner (2025) ‘Fantasia’ Movie Review: A Slight Genre Affair that Feels Like a Cross Between ‘Mean Girls’ and ‘Get Out’ Akash Deshpande August 1, 2025August 13, 2025
Featured · ReviewThe Glassworker (2025) Movie Review: Miyazaki-inspired Pakistani animation has a muddled anti-war message August 14, 2025 Shikhar Verma
Featured · ReviewThe Baltimorons (2025) Movie Review: A Refreshingly Earnest, Pleasant Holiday CharmerAugust 14, 2025 Liam Gaughan
Featured · ReviewNe Zha 2 (Nezha: Mo tong nao hai, 2025) Movie Review: A Beautifully Animated Fantasy Epic That’s Just For KidsAugust 13, 2025 Liam Gaughan
The Glassworker (2025) Movie Review: Miyazaki-inspired Pakistani animation has a muddled anti-war message
Ne Zha 2 (Nezha: Mo tong nao hai, 2025) Movie Review: A Beautifully Animated Fantasy Epic That’s Just For Kids
Film Festivals · MAMI · Review White Plastic Sky (2023) ‘MAMI Film Festival’ Review – A Fusion of the Selfish and the Selfless Reubyn Coutinho November 2, 2023
Film Festivals · MAMI · Review Pushtaini (2023) ‘MAMI’ Review – A Disputed Inheritance Brings About A Transformative Journey of an Aspiring Actor Aryan Vyas October 31, 2023
Film Festivals · MAMI · Review Humanist Vampire Seeking Consenting Suicidal Person (2023) ‘MAMI Film Festival’ Review: A Captivating Tale of Adolescence and the Trappings of a Heart Akash Deshpande March 2, 2024
Film Festivals · MAMI · Review Today Me, Tomorrow You (2023) ‘MAMI Film Festival’ Review: A Delicate Horror Film Elevated by Impressive Technical Aspects Niikhiil Akhiil October 31, 2023
Review Full River Red (2023) Movie Review: A Political Chess Game With Wild Twists and Tonal Shifts Aneesh Raikundalia October 30, 2023
Prime Video · Review · Streaming Now Mark Antony (2023) Movie Review: Loud, Bizarre, and Continuously Over the Top with Little to No Impact Pramila Tripathi October 30, 2023
Film Festivals · MAMI · Review Vincent Must Die (2023) Movie Review: A Delirious, Wickedly Funny Ride that Does Justice to Its Wild Premise Akash Deshpande October 30, 2023
Film Festivals · MAMI · Review The Red Suitcase (2023) ‘MAMI Film Festival’ Movie Review – Nepali Slow-burn Burnished with Exquisite, Enveloping Moodiness Debanjan Dhar October 30, 2023
Review PTSD (2023) Short Film Review: A White Man’s Guilt Trip That Spills All Over the Place Pramila Tripathi October 30, 2023
High On Films
