Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
BFI London Film Festival · Featured · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025
Featured · Film Festivals · Review The Last One for the Road (Le città di pianura, 2025) ‘FNC’ Movie Review: A Light Cruise Across the Italian Plains Julian Malandruccolo October 19, 2025October 19, 2025
Featured · Film Festivals · Review La Grazia (2025) ‘FNC’ Movie Review: Paolo Sorrentino’s Self-Consciously Moderate Plea for Mercy Julian Malandruccolo October 17, 2025October 17, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 20, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 20, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 20, 2025
BFI London Film Festival · Featured · Film Festivals · ReviewDie My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on FireOctober 20, 2025 Hayyan Khawaja
Featured · ReviewThe Voice of Hind Rajab (Sawt Hind Rajab, 2025) Movie Review: A Devastating, Essential Encapsulation of Genocide in Progress, Complicated By Non-Narrative InsertsOctober 20, 2025 Liam Gaughan
Featured · ReviewThe Summer Book (2025) Movie Review: Quiet Islands, Lingering Absence, and the Gift of StillnessOctober 20, 2025 Bipasha Bhattacharyya
Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire
The Voice of Hind Rajab (Sawt Hind Rajab, 2025) Movie Review: A Devastating, Essential Encapsulation of Genocide in Progress, Complicated By Non-Narrative Inserts
How to Shoot a Ghost (2025) Short Film Review: A Tender Humanist Exploration of the Anxieties of Boundless Rejection
Films This Week · Review The Iron Claw (2023) Movie Review: Tragic American Saga Uncannily Combines Arthouse Austerity and Heartfelt Sentimentalism Ron Meyer January 2, 2024
Review Rose (2023) Movie Review: Not Rose-Colored, But Blooming Danish Film On Mental Illness Vassilis Kroustallis December 21, 2023
Netflix · Review · Streaming Now Nyad (2023) Movie Review: Inspiring Story Suffocated by Narrative Conventions Thomas Gladstone December 20, 2023
Film Festivals · Review Io Capitano (2023) ‘KIFF’ Review: Seydou Sarr is Unforgettable in Garrone’s Rousing, Triumphant Migrant Odyssey Debanjan Dhar December 22, 2023
Review · Streaming Now · Tubi Young, Sexy & Dead (2023) Movie Review – Philip Alderton’s re-titled satire on the fashion industry is still relevant, but it misses more than it hits Shikhar Verma December 20, 2023
Film Festivals · Review On the Adamant (2023) ‘KIFF’ Review: Nicolas Philibert’s Documentary about a Parisian Day-Care Boat Asks us to Care More Deeply Debanjan Dhar December 20, 2023
Film Festivals · Review On My Father’s Grave (2023) ‘KISFF’ Review: A Short Film about Women Who Won’t Wait at Home Levan Tskhovrebadze December 20, 2023
Film Festivals · Review Chalchitra Ekhon (2023) ‘KIFF’ Review: Anjan Dutt’s Tribute to Mrinal Sen Barely Scratches the Surface Debanjan Dhar December 20, 2023
Film Festivals · Review The Old Oak (2023) ‘KIFF’ Review: Ken Loach’s Tale of a Divided Town Is Too Simplistic and Cloying Debanjan Dhar December 19, 2023
High On Films
