Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 29, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · Review Mile End Kicks (2025) ‘WIFF’ Movie Review: A Disappointing Second Effort From a Promising Young Director Andrew Kidd November 12, 2025November 12, 2025
Featured · Film Festivals · Review Adam’s Sake (L’intérêt d’Adam, 2025) ‘Cinemania’ Movie Review: A Malnourished Attempt at Empathy for the Healthcare System and Its Prisoners Julian Malandruccolo November 12, 2025November 12, 2025
Featured · Film Festivals · Review Love Me Tender (2025) ‘Cinemania’ Movie Review: Quiet Resilience in the Face of Queer Parental Persecution Julian Malandruccolo November 10, 2025November 11, 2025
Featured · Film Festivals · Review A Magnificent Life (Marcel et Monsieur Pagnol, 2025) ‘Cinemania’ Movie Review: Textured Animation Lends Depth to a Hastily Sketched Portrait of a French Icon Julian Malandruccolo November 9, 2025November 10, 2025
Film Festivals · Review The World Of Love (Segyeui Ju-in, 2025) ‘LFF’ Movie Review: Yoon Ga-eun’s Exceptional Film Encourages Us To Be the Masters of Our Own Worlds Freddie Kay October 28, 2025October 29, 2025
BFI London Film Festival · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025October 29, 2025
ReviewThe Teacher (2023) Movie Review: A Profound Human Drama Set against an Inhumane BackgroundNovember 12, 2025 Ollie Wheaton
Featured · Film Festivals · ReviewMile End Kicks (2025) ‘WIFF’ Movie Review: A Disappointing Second Effort From a Promising Young DirectorNovember 12, 2025 Andrew Kidd
Featured · ReviewRosemead (2025) Movie Review: A Career-Best Lucy Liu Performance Elevates a Flat-Footed Family DramaNovember 12, 2025 Liam Gaughan
Mile End Kicks (2025) ‘WIFF’ Movie Review: A Disappointing Second Effort From a Promising Young Director
Adam’s Sake (L’intérêt d’Adam, 2025) ‘Cinemania’ Movie Review: A Malnourished Attempt at Empathy for the Healthcare System and Its Prisoners
Film Festivals · Review · Sundance In the Land of Brothers (2024) ‘Sundance’ Movie Review: The Otherness and Frustration of Being an Immigrant Shikhar Verma March 2, 2025
Review Disciples of the 36th Chamber (1985) Movie Review: A Farcical Sequel with a Confusing Character Arc Aneesh Raikundalia January 24, 2024
Film Festivals · Review · Sundance Desire Lines (2024) ‘Sundance’ Movie Review: Hybrid Docu Lights a Tinderbox on Trans sexuality Debanjan Dhar March 2, 2025
Film Festivals · Review · Sundance Igualada (2024) ‘Sundance’ Movie Review – A Passionate but Half-etched Sketch of Black Colombian Activist Debanjan Dhar March 2, 2025
Films This Week · Review I.S.S. (2024) Movie Review: A Mixed Thriller Leaving Its Characters Floating in the Emptiness of Space Julian Malandruccolo March 2, 2025
Review The Beekeeper (2024) Movie Review: A Screenplay Committed to Stylish Violence But Not Without Self-reflection Ashwani Kumar January 23, 2024
Review · VOD The Boys in the Boat (2023) Movie Review: The Perfect Exemplification of Why “They Don’t Make Films Like They Used To” Thomas Gladstone January 22, 2024
Review Where the Green Ants Dream (1984) Review: Quintessential Herzogian Splendour David Morgan Brown February 9, 2024
Review Inside Job (2010) Review: The Film That Cost $20,000,000,000,000 To Make Sumit Singh January 20, 2024
High On Films
